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Visual Arts and Crafts (12)
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By Woman's HandPepita Ferrari 1994 58 minIn 1920, a group of young Montreal women artists formed the nucleus of what would later become known as the Beaver Hall Hill Group. Together, they created an artistic environment of mutual support that lasted for more than three decades. By Woman's Hand explores this unique group through the eyes of Prudence Heward, Sarah Robertson and Anne Savage, its three most prominent members. -
Beyond the SunRick Therrien 1987 17 minMargaret Peterson is a retired painter, now living in Victoria, British Columbia, where this production was shot. The film explores the psyche of the painter through her paintings, through interviews, through an interpretive commentary by the director of the film, and the improvised riffs of a saxophone soloist. The film is a scrapbook of ideas, memories, opinions, interpretations and paintings that render the artist eventful rather than biographical. Beyond the Sun reveals a character very much attracted to primitive religion and a painter drawn to colour abstraction, both qualities typical of the 'beat' movement of the 1940s and 50s.
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Basket - Lhk'wál'us (Salish Version)Alanis Obomsawin 1975 7 minA series of still images follows master Stl’atl’imx (Líl̓wat) basket maker Mathilda Jim, from the harvesting of materials to the creation of a functional work of art. Told in the Lil̓wat7úl language, this short documentary evokes the powerful connection between language, knowledge and culture.
This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Stl’atl’imx (Líl̓wat) Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about their culture, histories and knowledge. -
BasketAlanis Obomsawin 1975 7 minA series of still images follows master Stl’atl’imx (Líl̓wat) basket maker Mathilda Jim, from the harvesting of materials to the creation of a functional work of art. Told in the Lil̓wat7úl language, this short documentary evokes the powerful connection between language, knowledge and culture.
This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Stl’atl’imx (Líl̓wat) Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about their culture, histories and knowledge. -
Bone Wind FireJill Sharpe 2011 30 minThis Emmy-nominated feature film is an intimate and evocative journey into the hearts, minds and eyes of Georgia O’Keeffe, Emily Carr and Frida Kahlo - 3 of the 20th century’s most remarkable artists. The film uses the women’s own words, taken from their letters and diaries, to reveal 3 individual creative processes in all their subtle and fascinating variety.
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Eskimo Artist: KenojuakJohn Feeney 1963 19 minThis documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Kinngait (formerly known as Cape Dorset). This film was nominated for the 1963 Documentary Short Subject Oscar®.
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Hands of HistoryLoretta Todd 1994 51 minIn this acclaimed 1994 documentary, Loretta Todd, a leading figure in Indigenous cinema in Canada, profiles four contemporary female artists—Doreen Jensen, Rena Point Bolton, Jane Ash Poitras and Joane Cardinal-Schubert—who seek to find a continuum from traditional to contemporary forms of expression. Each artist reveals her practice and journey in her own words. The film is a moving testimony to the vital role Indigenous women play in nurturing Indigenous cultures.
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Klee WyckGrant Crabtree 1946 15 minThis short documentary from the Canadian Artists series presents the art of Emily Carr, the Canadian painter who found exciting subject matter on British Columbia's Pacific Coast, with its giant trees and its Indigenous villages, totems and carvings. When Carr visited the Ucluelet Indian Reserve on Vancouver Island in 1898, the Nuu-chah-nulth people gave her the name Klee Wyck, meaning “Laughing One.” Her canvases are shown here amidst the landscapes and places where they were painted. At the end of the film Tse-shaht painter George Clutesi is pictured as Carr left her paintbrushes and other materials to him.
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Linda Rabin: Everything Is MovingChristine Chevarie-Lessard 2022 4 minFor Linda Rabin, all is movement. That has been the guiding principle for this pioneer of modern dance in Quebec, who has been a dancer, teacher, choreographer, somatic educator and the cofounder with Candace Loubert of l’École de danse contemporaine de Montréal in 1981. In Linda’s view, dancers’ gestures are not merely technically well executed movements, but expressions of life itself. Spirituality, openness to the world and the fluidity of bodies are here conveyed with subtlety.
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My Floating World: Miyuki TanobeIan Rankin , Stephan Steinhouse , … 1979 26 minThis documentary short is a portrait of Miyuki Tanobe, a Japanese painter who has chosen to make Québec her home. She works in the Nihonga style, applying centuries-old techniques to scenes drawn directly from the working-class neighborhoods of Montréal. The film records the progression of one of her paintings from preliminary sketch to completion.
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Maud Lewis: A World Without ShadowsDiane Beaudry 1976 10 minSet against a background of her paintings and the Yarmouth, Nova Scotia, landscapes they depict, this short documentary is a portrait of the life and work of one of Canada's foremost primitive painters, Maud Lewis. Emerging from her youth crippled with arthritis, Lewis escaped into her painting at the age of 30. She had never seen a work of art and had never attended an art class but her paintings captured the simple strength, beauty and happiness of the world she saw - a world without shadows.
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Portrait of the Artist--As an Old LadyGail Singer 1982 27 minParaskeva Clark, artist, socialist, feminist, is her own woman at her own cost. This film is a cameo of an irascible and oftentimes touching artist whose work has won her a place in exhibitions and private collections. Born in Russia in 1898, she eventually married a Canadian and moved to Toronto. Because her canvases reflect a strong social conscience, she had to struggle hard to earn a place in the nation's ultra-conservative galleries.
