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Animation and Experimental Films (26)

  • Bydlo
    Bydlo
    Patrick Bouchard 2012 8 min
    An allegory of mankind heading for disaster, this animated short is a tragic vision inspired by the 4th movement of Mussorgsky’s Pictures at an Exhibition. Drawing on the composer’s brilliant ability to evoke work and labour in his music, animator Patrick Bouchard brings earth to life through animated clay sculptures, creating a tactile nightmare in which man is his own slave driver.
  • Begone Dull Care
    Begone Dull Care
    Norman McLaren  &  Evelyn Lambart 1949 7 min
    In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly on to their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.
  • Boogie-Doodle
    Boogie-Doodle
    Norman McLaren 1941 3 min
    In this short animation film, the "boogie" is played by Albert Ammons and the "doodle" is drawn by Norman McLaren. Made without the use of a camera, Boogie-Doodle is a rhythmic, brightly coloured film experiment.
  • Concerto Grosso Modo
    Concerto Grosso Modo
    François Aubry 1985 6 min
    This short animation is a playful introduction to musical notation. Music notes, suddenly infused with life, begin building a score. Working like ants, they assemble one by one the many elements of musical notation. Once the score is completed, the concert can go on, and each note shines as bright as a star.
  • Catuor
    Catuor
    Judith Klein 1970 3 min
    This film is about cats--actually, one very clever cat. The title is a play on the French quatuor, meaning quartet, but the chorus is not the usual alley-cat variety. The cat in this film is talented indeed. He is both pianist and piano, trumpet and trumpeter and, if need be, even becomes the music--a pulsing rock and roll--or a whole swarm of alley cats.
  • Canon
    Canon
    Norman McLaren  &  Grant Munro 1964 9 min
    Norman McLaren and Grant Munro use three different animation techniques to provide visual representations of canons in a film designed to teach viewers about this ancient musical form. The soundtrack combines both recorded classical music and sounds produced by a synthesizer.
  • cNote
    cNote
    Christopher Hinton 2004 6 min
    In this animated short, filmmaker Chris Hinton and composer Michael Oesterle leap back and forth between picture and sound. The dynamic movement of Hinton's visual art dances in syncopation with the bold musical strokes of an original modern classical composition. Without words.
  • Duel-Duo
    Duel-Duo
    Jean-Michel Labrosse 1975 2 min
    An animation film about a clarinet and a trumpet that meet, clash, compete, compromise and harmonize.
  • Dehors novembre
    Dehors novembre
    Patrick Bouchard 2005 6 min
    This animated short evokes the tragic death of Dédé Fortin, frontman, and vocalist of the Québécois band Les Colocs. To the soundtrack of “Dehors novembre,” one of the band’s songs, animator Patrick Bouchard weaves of dark tale of death and ruin, as they unfold in the dark of night, in November, the Month of the Dead. Not for children.
  • Forming Game
    Forming Game
    Malcolm Sutherland 2008 5 min
    This animated short from Malcolm Sutherland is an engaging dance of shapes and sounds. The "game" is played by opening the box, unfolding the board and placing shapes on it that you manipulate with your hands. There are no winners or losers in this game; the fun is in the creative way the forms unfold. Features a score by Luigi Alleman and music by Ravi Shankar.
  • Fiddle-de-dee
    Fiddle-de-dee
    Norman McLaren 1947 3 min
    A film fantasy of dancing music and dancing colour. To "Listen to the Mocking Bird" played by an oldtime fiddler, brilliant patterns ripple, flow, flicker and blend. Norman McLaren, painting on film, translates sound into sight.
  • Getting Started
    Getting Started
    Richard Condie 1979 12 min
    This hilarious short animated film stars a man who procrastinates. Our hero attempts to practice a piece of music on the piano, but distractions get in the way. When he finally sits down to play, pandemonium breaks loose.
  • Liaisons
    Liaisons
    Jean Detheux 2005 9 min
    This abstract film, full of rich colours and textures, was created thanks to an inventive use of digital technology. It grew out of an unusual process of interchange between the painter Jean Detheux and the composer Jean Derome. The result is a rare meeting of images and music. What we get is an intense meditation on a world in constant renewal, where every form that emerges is immediately engulfed by the next one. It constitutes a sort of diptych with the film Rupture, which follows. A film without words.
  • Monsieur Pointu
    Monsieur Pointu
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    Bernard Longpré  &  André Leduc 1975 12 min
    This animated short about virtuoso stage entertainer Monsieur Pointu (Paul Cormier) is screen magic at its best. Here, the man and his violin are literally taken apart - head, feet, limbs, various items of stage attire, bow, strings, and box all go into their own separate acts, with strange and amusing results.
  • A Matter of Form
    A Matter of Form
    René Jodoin 1984 3 min
    Set to the rousing notes of Schubert's Military March, this animation film is an ingenious example of how a single point can be the building-block for a multiplicity of shapes and configurations. Lines and forms grow out of the point, eventually covering the entire screen in splashes of colour. This is geometric wizardry at its colourful best. A film without words.
  • Making Music for Animation
    Making Music for Animation
    2011 15 min
    Luigi Allemano is an animator, musician, composer, teacher and sound designer. In this workshop, he presents several short animation films in various stages of music production, demonstrating the process of creating music for animated film. Using interactive exercises and discussion, Luigi offers musicians some tricks of the trade for composing music for animation. This master class is also aimed at animators, covering effective ways to communicate, collaborate and create with music composers
  • Norman McLaren: Animated Musician
    Norman McLaren: Animated Musician
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    Donald McWilliams 2014 26 min
    Not only did Norman McLaren create his own film imagery, he also made his own music by drawing, etching and photographing patterns directly onto the sound track area of the film, becoming a pioneer of electronic music long before the invention of the synthesizer. Norman McLaren: Animated Musician celebrates this exploration and presents much never-before-seen work by this master of cinema.
  • Romance
    Romance
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    Georges Schwizgebel 2011 7 min
    While on an airplane, a traveller's spirit plunges into a dream world. Here, under the influence of the unknown, the logic of his desires prevails, and a romantic saga takes shape. This animated film by Georges Schwizgebel masterfully transports us into a swirling world. Set to the twists and turns of a Rachmaninoff scherzo, Romance exuberantly marries music and movement, erasing the boundary between dreams and reality.
  • Syrinx
    Syrinx
    Ryan Larkin 1965 2 min
    Borrowing from classical mythology, this very short film illustrates the story of Syrinx, the nymph who attempts to escape the goat-god Pan’s amorous advances by fleeing to a nearby river for help, only to be transformed into hollow reeds. Syrinx is the first film by Ryan Larkin, an Oscar®-nominated director who began his animation career in Norman McLaren’s student group. The technique employed is charcoal sketches on paper; the accompanying music is Claude Debussy’s “Syrinx” for solo flute.
  • Street Musique
    Street Musique
    Ryan Larkin 1972 8 min
    Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
  • Short and Suite
    Short and Suite
    Norman McLaren 1959 4 min
    This short animation is a delightful colour cocktail by Norman McLaren and Evelyn Lambart. The various moods in music written for a jazz ensemble by Eldon Rathburn are translated into moving patterns of colour and light. This lively short is composed of images hand-scratched and hand-painted directly onto the film strip.
  • Synchromy
    Synchromy
    Norman McLaren 1971 7 min
    This animated short by Norman McLaren features synchronization of image and sound in the truest sense of the word. To make this film, McLaren employed novel optical techniques to compose the piano rhythms of the sound track, which he then moved, in multicolor, onto the picture area of the screen so that, in effect, you see what you hear.
  • Serenal
    Serenal
    Norman McLaren 1959 3 min
    A gay fantasia of patterned sound in which Norman McLaren salutes the West Indies, painting the spirit of fiesta on film to the lively beat of an island tune by Trinidad's Grand Curacaya Orchestra.
  • Spook Sport
    Spook Sport
    Norman McLaren 1940 7 min
    An expressionistic interpretation of 'Danse macabre' by Camille Saint-Saëns. Conventional cel animation and pen drawings were done by Norman McLaren directly on 35 mm film stock.
  • Two Bagatelles
    Two Bagatelles
    Grant Munro  &  Norman McLaren 1952 2 min
    Two short Norman McLaren films in which animation technique is employed with live actors. In the first, entitled On the Lawn, a male dancer waltzes to synthetic music. The second is a fast march, In the Backyard, accompanied by an old-fashioned calliope.
  • Variations on Ah! vous dirai-je, maman
    Variations on Ah! vous dirai-je, maman
    Francine Desbiens 1985 13 min
    In this short animation a single room is the setting for a lyrical dance through time about family roots. The objects in the room swirl, rearrange and change themselves to reflect the passing seasons, years and generations. As Victorian Christmas fantasies give way to computer-age realities, the procession of objects reaffirms the values that endure the vagaries of fashion and the ravages of time.