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  • Augusta
    Augusta
    Anne Wheeler 1976 16 min
    This short documentary offers an intimate portrait of Augusta Evans, an 88-year-old Secwépmec woman who has spent her life in the hills of the Williams Lake area of British Columbia, where she lives alone in a log cabin without running water or electricity. Born the daughter of a Chief, Augusta was forced to attend residential school and lost her treaty status when she wed her non-Indigenous husband. After seeing a woman lose her life in childbirth, Augusta taught herself midwifery from a book and delivered many babies, including her own daughter, whom she birthed alone in her cabin. Having lived through many losses and now surviving on a $250 monthly pension that barely covers wood and groceries, Augusta is a cherished member of her community, where she shares her knowledge and songs, and laments that the young people are not learning their language.
  • Alone in the Abyss
    Alone in the Abyss
    Claudie Ottawa 2009 5 min
    Drugs. They sneak into your life, into your veins. You wake up and you're all alone in the depths. But the Earth keeps turning. Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios and is part of the 2008 selection.
  • Basket - Lhk'wál'us (Salish Version)
    Basket - Lhk'wál'us (Salish Version)
    Alanis Obomsawin 1975 7 min
    A series of still images follows master Stl’atl’imx (Líl̓wat) basket maker Mathilda Jim, from the harvesting of materials to the creation of a functional work of art. Told in the Lil̓wat7úl language, this short documentary evokes the powerful connection between language, knowledge and culture.

    This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Stl’atl’imx (Líl̓wat) Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about their culture, histories and knowledge.
  • Buffy
    Buffy
    John Walker 2010 6 min
    Folk music icon Buffy Sainte-Marie became internationally renowned with her protest song "Universal Soldier." In this short documentary, she candidly discusses her hopes, creative vision and songwriting skills, as well as her role as an Aboriginal activist. Still a vibrant artist fifty years into her career, she keeps her eyes set on the future.
  • Basket
    Basket
    Alanis Obomsawin 1975 7 min
    A series of still images follows master Stl’atl’imx (Líl̓wat) basket maker Mathilda Jim, from the harvesting of materials to the creation of a functional work of art. Told in the Lil̓wat7úl language, this short documentary evokes the powerful connection between language, knowledge and culture.

    This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Stl’atl’imx (Líl̓wat) Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about their culture, histories and knowledge.
  • The Colours of Pride
    The Colours of Pride
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    Henning Jacobsen 1973 27 min
    An introduction to four Indigenous painters whose work in recent years has stirred interest in Canada and abroad. Despite the artists' differing styles and origins, their canvases reflect their common heritage. The guide in the film is Tom Hill, a Seneca man who knows art and the Indigenous tradition and encourages his subjects to talk about their own origins and objectives. The painters are Norval Morrisseau, Allen Sapp, Alex Janvier, and Daphne Odjig.
  • Club Native
    Club Native
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    Tracey Deer 2008 1 h 18 min
    Tracey Deer grew up on the Mohawk reserve of Kahnawake with two very firm but unspoken rules drummed into her by the collective force of the community. These rules were very simple and they carried severe repercussions: 1) Do not marry a white person, 2) Do not have a child with a white person.
  • Donna's Story
    Donna's Story
    Doug Cuthand 2001 50 min
    This intimate documentary paints a portrait of one Cree woman who left life on the streets to re-emerge as a powerful voice counseling Indigenous adults and youth about abuse and addiction. Raised in foster homes and caught up in drugs and prostitution by the age of 13, Donna Gamble shares her exhilarating and tumultuous journey and what motivated her to turn her life around. Together with her mother and daughters, Donna is working to shatter the cycle of addiction that has plagued their family for generations.
  • Dream Magic
    Dream Magic
    Katerina Cizek 2008 6 min
    This revealing portrait of NFB filmmaker Alanis Obomsawin was shown at a gala ceremony in 2008, where Obomsawin received the Governor General's Performing Arts Award for Lifetime Artistic Achievement. Her work has captured some of the most startling events in Canadian history, including the armed standoff between the Canadian Army and Mohawk warriors in 1993. Her films cross a spectrum of social issues, but they are always human. Obomsawin explains in the interview, "For me, a real documentary is when you're really listening to somebody; they are the ones that will tell you what the story is, not you."
  • Doctor, Lawyer, Indian Chief
    Doctor, Lawyer, Indian Chief
    Carol Geddes 1986 28 min
    A tribute to Indigenous women everywhere, this short documentary focuses on 5 women from across Canada. Of varied ages and backgrounds, they have achieved success in a variety of careers: as the Yukon legislature's first Indigenous woman minister (Margaret Joe), as a deck hand on a fishing boat (Corinne Hunt), as a teacher (Sophie MacLeod), as a lawyer (Roberta Jamieson), and as a band council chief (Sophie May Pierre - St. Mary’s Indian Band of the Ktunaxa Nation off the Ktunaxa Nation).

    Each of these women talks about how she got to where she is today while emphasizing the importance of Indigenous culture - its values, art, and spiritual beliefs - in helping her to develop a sense of self and seeing through rough times, including residential school experiences.
  • First Stories - ati-wîcahsin (It's Getting Easier)
    First Stories - ati-wîcahsin (It's Getting Easier)
    Tessa Desnomie 2007 6 min
    In this short film, filmmaker Tessa Desnomie celebrates the life and times of her grandmother, Jane Merasty. Born and raised on the trapline, this Woodlands Cree woman has witnessed significant changes throughout her vigorous 80 years. First Stories is an emerging filmmaker program for Indigenous youth which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND.
  • Finding Dawn
    Finding Dawn
    Christine Welsh 2006 1 h 13 min
    Acclaimed Métis filmmaker Christine Welsh brings us a compelling documentary that puts a human face on a national tragedy – the epidemic of missing or murdered Indigenous women in Canada. The film takes a journey into the heart of Indigenous women's experience, from Vancouver's skid row, down the Highway of Tears in northern BC, and on to Saskatoon, where the murders and disappearances of these women remain unsolved.
  • Fighter
    Fighter
    Erica Lepage 2007 9 min
    After being attacked, a young Mohawk woman decides to overcome her fear and do what she loves, namely box. Story of a Kanesatake fighter out to prove she?s the strongest.

    Since 2004, Wapikoni Mobile has been giving young Aboriginals the opportunity to speak out using video and music. This short film was made with the guidance of these travelling studios and is part of the 2007 Selection - Wapikoni Mobile DVD.
  • For Angela
    For Angela
    Nancy Trites Botkin  &  Daniel Prouty 1993 21 min
    This short film portrays the experiences of Rhonda Gordon and her daughter, Angela, when a simple bus ride changes their lives in an unforeseeable way. When they are harassed by three boys, Rhonda finds the courage to take a unique and powerful stance against ignorance and prejudice. What ensues is a dramatic story of racism and empowerment.
  • Women / Ikwewag
    Women / Ikwewag
    Angelina McLeod 2019 12 min
    Shoal Lake 40 women talk about their struggles, and those of their parents and grandparents, in trying to raise their families in a hazardous state of enforced isolation. Everyone in the community has a harrowing story of a loved one falling through the ice while trying to get across the lake, with pregnant women and new mothers fearing for their babies and having no choice but to make the trek in dangerous conditions. The film shows the key role of the community’s women in demanding funding for the road from three levels of government, and how their reconnection to culture and ceremony give them the strength to keep going.
  • From the Forests of Kitcisakik to the Forests of Xingu
    From the Forests of Kitcisakik to the Forests of Xingu
    Evelyne Papatie 2009 6 min
    Evelyne Papatie talks about her trip to the Mato Grosso forests of Brazil. In the rites and customs of the Ikepengs, she rediscovers the pride of being Anishnabe.

    Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios and is part of the 2008 Selection - Wapikoni Mobile
  • Hands of History
    Hands of History
    Loretta Todd 1994 51 min
    In this acclaimed 1994 documentary, Loretta Todd, a leading figure in Indigenous cinema in Canada, profiles four contemporary female artists—Doreen Jensen, Rena Point Bolton, Jane Ash Poitras and Joane Cardinal-Schubert—who seek to find a continuum from traditional to contemporary forms of expression. Each artist reveals her practice and journey in her own words. The film is a moving testimony to the vital role Indigenous women play in nurturing Indigenous cultures.
  • Indigenous Plant Diva
    Indigenous Plant Diva
    Kamala Todd 2008 9 min
    Kamala Todd's short film is a lyrical portrait of Cease Wyss, of the Squamish Nation. Wyss is a woman who understands the remarkable healing powers of the plants growing all over downtown Vancouver. Whether it's the secret curl of a fiddlehead, or the gentleness of comfrey, plants carry ageless wisdom with them, communicated through colour, texture, and form. Wyss has been listening to this unspoken language and is now passing this ancient and intimate connection down to her own daughter, Senaqwila.
  • Ikwe
    Ikwe
    Norma Bailey 1986 57 min
    Part of the Daughters of the Country series, this dramatic film features a young Ojibwa girl from 1770 who marries a Scottish fur trader and leaves home for the shores of Georgian Bay. Although the union is beneficial for her tribe, it results in hardship and isolation for Ikwe. Values and customs clash until, finally, the events of a dream Ikwe once had unfold with tragic clarity.
  • Kwekànamad - The Wind Is Changing
    Kwekànamad - The Wind Is Changing
    Carlos Ferrand 1999 54 min
    Annie Smith-St-Georges is an Algonquin mother and wife who led a largely uneventful life. Then tragedy struck in 1990, when her teenage son Yanik ended his life. Annie wanted to forget and yet to remember, to understand and yet to deny. Then one day she had a vision of a glass teepee ten storeys high, in Ottawa, to house a National Aboriginal Arts and Performance Centre. The building would be designed by the renowned architect Douglas Cardinal, in memory of her son and for all young Natives struggling to find meaning in life. We meet Annie and her husband eight years later, during the final year of their crusade for the glass teepee. A traditional habitat made from non-traditional material would successfully meld past and present. Annie wishes to give back to her people their ancestral pride and dignity. It's a time of hope. Annie now knows that, and she says it for anyone to hear: "Kwekànamad," the wind is changing. Some subtitles.
  • Klee Wyck
    Klee Wyck
    Grant Crabtree 1946 15 min
    This short documentary from the Canadian Artists series presents the art of Emily Carr, the Canadian painter who found exciting subject matter on British Columbia's Pacific Coast, with its giant trees and its Indigenous villages, totems and carvings. When Carr visited the Ucluelet Indian Reserve on Vancouver Island in 1898, the Nuu-chah-nulth people gave her the name Klee Wyck, meaning “Laughing One.” Her canvases are shown here amidst the landscapes and places where they were painted. At the end of the film Tse-shaht painter George Clutesi is pictured as Carr left her paintbrushes and other materials to him.
  • Kir Otci Ntcotco... (For You Mom)
    Kir Otci Ntcotco... (For You Mom)
    Mariana Niquay-Ottawa 2009 5 min
    A personal film in which Mariana Niquay-Ottawa tries to reconnect with her mother.

    Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios and is part of the 2008 Selection - Wapikoni Mobile
  • Like the Trees
    Like the Trees
    Kathleen Shannon 1974 14 min
    This short film is told in the first person by Rose, a Métis woman from northern Alberta who has left a difficult life in the city to rediscover her roots by returning to her Woodland Cree community. Rose reveals the racism, isolation and health issues she faced when trying to make a life for herself outside her home community, and how she is able to help others now that she has reconnected to her culture.

    The film is part of a 1970s series of eleven films title Working Mothers by producer/director Kathleen Shannon, exposing inequality for women in accessing education, childcare, and equal pay. These films led to the creation of Studio D at the National Film Board, the world’s first feminist production studio. 
  • Little Caughnawaga: To Brooklyn and Back
    Little Caughnawaga: To Brooklyn and Back
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    Reaghan Tarbell 2008 56 min

    Mohawk high steel workers have a special place in North American history. The iconic New York skyline - with its great monuments to modernity - is the fruit of their labour.

    While the men were scraping the skies, the women had their feet firmly on the ground - sustaining a vibrant Mohawk community in the heart of Brooklyn.

    Little Caughnawaga evokes the neighbourhood's heyday - from the 1920s through to the 60s - and salutes the spirited women who kept the culture alive.

    The Brooklyn Mohawks were mostly from Kahnawake, a community long associated with the dangerous world of high steel. In 1907 the small town lost 33 men in the Quebec Bridge disaster, an event that still looms large in collective memory.

    Moving back and forth between Brooklyn and Kahnawake, director Reaghan Tarbell crafts an affectionate portrait of Little Caughnawaga ad a heartfelt tribute to the cultural resilience of her people.

  • Lacrosse
    Lacrosse
    Douglas Jackson 1965 14 min
    This short film highlights how the sport of lacrosse, which has changed little over time, is regaining popularity. Watch how the game is played, how lacrosse sticks are made by Mohawks at a factory in Cornwall, and how the Canadian Lacrosse Association helps instruct teams.
  • Lake
    Lake
    Alexandra Lazarowich 2019 5 min

    Cree director Alexandra Lazarowich riffs off classic verité cinema to craft a contemporary portrait of Métis women net fishing in Northern Alberta.

  • Fisher River
    Fisher River
    Kevin Settee 2021 15 min
    This episode narrows in on stories of generosity and perseverance in Fisher River Cree Nation in the midst of the COVID-19 pandemic. Stories include the purchase and distribution of fish on a community and intra-community level, as well as stories of mothers who experienced unique challenges of their own while continuing to provide support and care to their families and communities.
  • Mistress Madeleine
    Mistress Madeleine
    Aaron Kim Johnston 1986 57 min
    Part of the Daughters of the Country series, this film, set in the 1850s, unfolds against the backdrop of the Hudson's Bay Company's monopoly of the fur trade. In protest, some Métis engage in trade with the Americans. Madeleine, the Métis common-law wife of a Hudson's Bay Company clerk, is torn between loyalty to her husband and loyalty to her brother, a freetrader. Even more shattering, a change in company policy destroys Madeleine's happy and secure life, forcing her to re-evaluate her identity.
  • A Mother's Dream
    A Mother's Dream
    Cherilyn Papatie 2007 6 min
    Accompanied by her kokom (grandmother), an Algonquin mother of the Kitcisakik community fulfils her dream of three weeks: holds her children and takes them to the fair.

    Since 2004, Wapikoni Mobile has been giving young Aboriginals the opportunity to speak out using video and music. This short documentary was made with the guidance of these travelling studios and is part of the 2007 Selection - Wapikoni Mobile DVD.
  • My Name Is Kahentiiosta
    My Name Is Kahentiiosta
    Alanis Obomsawin 1995 29 min
    This short documentary by Alanis Obomsawin tells the story of Kahentiiosta, a young Kahnawake Mohawk woman arrested after the Oka Crisis' 78-day armed standoff in 1990. She was detained 4 days longer than the other women. Her crime? The prosecutor representing the Quebec government did not accept her Indigenous name.
  • Mother of Many Children
    Mother of Many Children
    Alanis Obomsawin 1977 57 min
    In her first feature-length documentary, released in 1977, Alanis Obomsawin honours the central place of women and mothers within Indigenous cultures. An album of Indigenous womanhood, the film portrays proud matriarchal cultures that for centuries have been pressured to adopt the standards and customs of the dominant society. Tracing the cycle of Indigenous women’s lives from birth to childhood, puberty, young adulthood, maturity and old age, the film reveals how Indigenous women have fought to regain a sense of equality, instilled cultural pride in their children and passed on their stories and language to new generations.
  • Mary Two-Axe Earley: I Am Indian Again
    Mary Two-Axe Earley: I Am Indian Again
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    Courtney Montour 2021 34 min
    Mary Two-Axe Earley: I Am Indian Again shares the powerful story of Mary Two-Axe Earley, who fought for more than two decades to challenge sex discrimination against First Nations women embedded in Canada’s Indian Act and became a key figure in Canada’s women’s rights movement.
  • Mary Two-Axe Earley: Skonkwehón:we á:re (Kanien’kéha Version)
    Mary Two-Axe Earley: Skonkwehón:we á:re (Kanien’kéha Version)
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    2021 34 min
    Mary Two-Axe Earley: Skonkwehón:we Á:re kaká:raton ne Mary Two-Axe Earley akoká:ra, ísi’ nón: ne teiohseráhsen iakohskehnhà:’on taié:tahste’ tsi shakotikenhrón:nis konnonkwehón:we né:ne í:kare’ Kakoráhsera’ aoianerénhsera’ Indian Act nok tsi wa’ehsennowáhnha’ né: Canada’s women’s rights movement.

    Né:ne iah nonwén:ton ónhka teiakotkáhthon kí:ken wateweièn:ton karahstánion nok kawennarahstánion wátston, Ienien’kehá:ka iekararáhstha’ Courtney Mountor teiotíhthare’ ne Ienien’kehá:ka iakonkwe’kénha né:ne iakohskehnhà’:on taié:tahste’ tsi shakotikenhrón:nis tsonathonwí:sen nok Kakoráhsera’ tsi nihotiianerenhserò:ten’ tsi ronte’niéntha’ ahonwanáhton’te’ nonkwehón:we. Nè:’e arihón:ni wahónhton’te’ ne onkwehón:we ahontatena’tónhkhwake’ ne konnonkwehón:we nok ronwatiien’okòn:’a tsi wahotíniake’ ne iah tehonnonkwehón:we.

    Montour teiotíhthare’ Iehrhakón:ha iakorihwahskéhnhen Nellie Carlson, ne Mary akwáh ákta tsi ionátshi tánon’ iakotahsnié:nen tsi tionatáhsawe’ ne Indian Rights for Indian Women, nok áhsen nikahwatsiratátie’ tehonatátken ne Mary tsi iekhonnià:tha’ ne Kahnawà:ke, né: ká:ti’ ahshakotihsennakará:tate’ ní:kon iakoterihwakanonnì:’on tsi tiakotenenhratáhsawe’ aontahontén:rohwe’ akaia’takehnhahtsherénhawe’ aonsonteríhsi’ tsi rotirihón:ni ne tóhsa ahontatena’tónhkhwake’ onkwehón:we ne ioshentsheró:ton nihá:ti konnonkwehón:we nok ronwatiien’okòn:’a.
  • Nose and Tina
    Nose and Tina
    Norma Bailey 1980 27 min
    This short documentary tells the unusual story of Nose and Tina, 2 people in love. He is employed as a brakeman, she as a sex worker. The film captures the domestic details of their life together and documents their hassles with work, money and the law.
  • Nonoonse Anishinabe Ishichekewin Ka Kanawentank
    Nonoonse Anishinabe Ishichekewin Ka Kanawentank
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    1980 10 min
    Western pioneers knew that sugar could be made from the sap of the Manitoba maple. But the trees were small, the sap was thin, and the tastier product of Québec and Ontario was cheap and easy to get. The settler soon turned away from the arduous annual harvest and the Manitoba maple became just another tree. But not for Nonoonse. Forty years ago her grandmother brought her to Sugar Island. Since then she has returned every spring to gather the sweet sap. Filmed on Lake Manitoba, near the Ebb'n'Flow Reserve, Nonoonse is both a clear description of sugar-making and a quiet statement on the importance of the tradition to the Saultaux of the region. (Bilingual: English and Saulteaux.)
  • Our Dear Sisters
    Our Dear Sisters
    Kathleen Shannon 1975 14 min
    Alanis Obomsawin, an Indigenous woman who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.
  • Our Maternal Home
    Our Maternal Home
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    Janine Windolph 2023 27 min
    Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.
  • Puberty - Part 1
    Puberty - Part 1
    Alanis Obomsawin 1975 14 min
    An intimate portrait of Marie Leo, a Sto:lo woman who was adopted into a Líl̓wat family as a baby. Marie’s gentle narrative of her remarkable early childhood demonstrates a deep connection to culture, land and family that continues to endure.

    This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.
  • Puberty Part 1 - Kwaozán'tsut ti pál7a 1 (Salish Version)
    Puberty Part 1 - Kwaozán'tsut ti pál7a 1 (Salish Version)
    Alanis Obomsawin 1975 14 min
    An intimate portrait of Marie Leo, a Sto:lo woman who was adopted into a Líl̓wat family as a baby. Marie’s gentle narrative of her remarkable early childhood demonstrates a deep connection to culture, land and family that continues to endure.

    This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.
  • Places Not Our Own
    Places Not Our Own
    Derek Mazur 1986 57 min
    Part of the Daughters of the Country series, this dramatic film set in 1929 depicts how Canada's West, home to generations of Métis, was taken over by the railroads and new settlers. As a result, the Métis became a forgotten people, forced to eke out a living as best they could. At the forefront is Rose, a woman determined to provide her children with a normal life and an education despite the odds. But due to their harsh circumstances, a devastating and traumatic event transpires instead.
  • Red Run
    Red Run
    Murray Jurak 2001 25 min
    In 1913, a railway blast sent hundreds of tons of rock cascading into the Fraser River, blocking the path of thousands of returning salmon. The Fraser Valley Aboriginal people rallied for days to save their fish, carrying them one at a time over the fallen rock. Red Run recalls this dramatic tale and reveals its impact today. Shimmering salmon still battle the Fraser's currents every summer. And the 'River People' balance on the treacherous cliffs, waiting to scoop them from the river with traditional dip and gill nets. Director Murray Jurak, from the region's Lower Nicola Band, follows members of three Siska families to the river's edge. To provide for her family, Alice follows the time-honoured fishing methods traditionally practised by men. Percy and Fred pass on their skills and respect for the turbulent river to their two young sons. Set in the BC Interior, Red Run captures an event as spectacular as it is dangerous.
  • Renaissance
    Renaissance
    Wapikoni mobile team 2008 8 min
    Returning to the Pikogan reserve to give birth to her first child, Sybèle wonders how to give her son a better life than hers while ensuring he stays connected to the Algonquin community.

    Since 2004, Wapikoni Mobile has been giving young Aboriginals the opportunity to speak out using video and music. This short film was made with the guidance of these travelling studios and is part of the 2007 Selection - Wapikoni Mobile DVD.
  • The Spirit of Annie Mae
    The Spirit of Annie Mae
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    Catherine Anne Martin 2002 1 h 13 min
    In 1975, Annie Mae Pictou Aquash, a 30-year-old Nova Scotia born-Mi'kmaq, was shot dead, execution style, on a desolate road in South Dakota. Nearly three decades later the crime remains a mystery. Aquash was highly placed in the American Indian Movement (AIM), a radical First Nations organization that took up arms in the 1970s to fight for the rights of their people. The Spirit of Annie Mae is the story of Aquash's remarkable life and her brutal murder. It is a moving tribute from the women who were closest to her: the two daughters who fled with their mother when she hid from the FBI; the young women she inspired to embrace Native culture; and the other activists, including Buffy Sainte-Marie and investigative journalist Minnie Two Shoes, who stood in solidarity with her. All are still trying to understand why she met such a violent death. Follow them on their journey as they celebrate the life of a woman who inspired a generation of Indigenous people.
  • Standing Buffalo
    Standing Buffalo
    Joan Henson 1968 23 min
    This short film from the late 1960s depicts a rug-making cooperative organized by the Sioux women of the Standing Buffalo Reserve in the Qu’Appelle Valley of southern Saskatchewan. The members of this band are descended from a tribe that migrated from Minnesota during armed clashes over a hundred years ago. The Sioux, noted for their distinctive, colourful designs, show off their handicraft in great detail.
  • She and I
    She and I
    Marie-Pier Ottawa 2008 6 min
    This short film is inspired by a stormy same-sex relationship in the Manawan community of the Atikamekw Nation, which led to a suicide.

    Since 2004, Wapikoni Mobile has been giving Indigenous youth the opportunity to speak out using video and music. This short film was made with the guidance of the traveling Wapikoni Mobile studios and is part of the 2007 Selection—Wapikoni Mobile DVD.
  • Song of Eskasoni
    Song of Eskasoni
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    Brian Guns 1993 28 min
    Eskasoni is the home of celebrated Mi’kmaq poet Rita Joe. This Cape Breton village is enjoying a revival of Indigenous traditions and spirituality which inspires much of Rita Joe's writing. For twenty years her poetry and her presence have touched thousands with dignity. This video is a celebration of the spiritual pride of the Mi’kmaq as embodied in Rita Joe's writings and her life.
  • Smudge
    Smudge
    Gail Maurice 2005 12 min
    This short documentary follows three Indigenous women as they practice ancestral forms of worship: drumming, singing, and using sweetgrass. These ancient spiritual traditions may at first seem at odds with urban life, but to Indigenous people in Canada who are used to praying in natural settings, the whole world is sacred space.
  • The Story of the Coast Salish Knitters
    The Story of the Coast Salish Knitters
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    Christine Welsh 2000 52 min
    For almost a century, the Coast Salish knitters of southern Vancouver Island have produced Cowichan sweaters from handspun wool. These distinctive sweaters are known and loved around the world, but the Indigenous women who make them remain largely invisible. Combining rare archival footage with the voices of three generations of woolworkers, The Story of the Coast Salish Knitters tells the tale of unsung heroines--resourceful women who knit to put food on the table and keep their families alive. Written and directed by Métis filmmaker Christine Welsh, this is a story of courage and cultural transformation--a celebration of the threads that connect the past to the future.
  • Six Miles Deep
    Six Miles Deep
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    Sara Roque 2009 43 min
    This short documentary offers a portrait of a group of women who led their community, the largest reserve in Canada, Six Nations of the Grand River Reserve, in an historic blockade to protect their land.

    On February 28, 2006, members of the Iroquois Confederacy blockaded a highway near Caledonia, Ontario to prevent a housing development on land that falls within their traditional territories. The ensuing confrontation made national headlines for months. Less well-known is the crucial role of the clan mothers of the community who set the rules for conduct. When the community's chiefs ask people to abandon the barricades, it is the clan mothers who overrule them, leading a cultural reawakening in their traditionally matriarchal community.
  • A Safe Distance
    A Safe Distance
    Tina Horne 1986 27 min
    The short documentary looks at some innovative approaches to providing services and accommodation for battered women in rural, northern, and Native communities. Filmed in Thompson and Portage La Prairie, Manitoba, and West Bay Reserve, Ontario, the film introduces the women who operate and use various types of accommodation such as transition houses, transition apartments, and safe houses. The shelter on West Bay Reserve is singled out as a project that was built by women for women to stand as a reminder that the Reserve will not tolerate violence against women. A Safe Distance is part of the The Next Step, a 3-film series about the services needed by and available to battered women.
  • Second Stories - It Had to Be Done
    Second Stories - It Had to Be Done
    Tessa Desnomie 2008 22 min
    This short documentary explores the legacy of residential schools through the eyes of two extraordinary women who not only lived it, but who, as adults, made the surprising decision to return to the school that had affected their lives so profoundly. This intimate and moving film affirms their strength and dignity in standing up and making a difference on their own terms.

    Second Stories follows on the heels of the enormously successful First Stories project, which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Second Stories builds on that success by continuing the training with 3 of the 12 Indigenous filmmakers who delivered such compelling short documentaries. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND.
  • This Is Who I Am
    This Is Who I Am
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    Manuel Ibanez 2018 11 min
    A young First Nations woman struggles with her identity in the big city.  After a series of events, she realizes she can still be Anishinaabe, and in fact, it is her responsibility.