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  • Ballads Not Bullets: Tom Jackson
    Ballads Not Bullets: Tom Jackson
    Marie Clements 2014 6 min
    This short film tells the story of how actor, singer, producer, and activist Tom Jackson came to use his gift of song to contribute millions of dollars to the fight against poverty and homelessness. With a rich soundtrack of music and Tom's spoken word, the film focuses on the importance of using our talents and skills to give back to society.

    Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2014 Governor General's Performing Arts Awards.
  • St. Laurent Pilgrimage
    St. Laurent Pilgrimage
    Dan J. McCrimmon 1985 2 min
    This very short film from the Canada Vignettes series documents the annual pilgrimage that members of Saskatchewan’s Métis Catholic community make to St. Laurent, a village in the Duck Lake area that became the Métis nation’s spiritual centre at the time of the 1885 Northwest Rebellion.
  • Crazywater
    Crazywater
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    Dennis Allen 2013 56 min
    This feature-length documentary from Inuvialuit filmmaker Dennis Allen is an emotional and revealing exploration of addiction among Indigenous people in Canada.

    After years of struggle and shame, 5 Indigenous Canadians bravely come forward with their stories of substance abuse, presenting the sensitive topic of alcoholism in an honest and forthright manner. Alex, Paula, Desirae, Stephen, and Dennis himself maintain a deep and devoted commitment to their traditional culture to achieve long-term sobriety. Through their voices, this insightful doc offers an inspirational beacon of hope for others.
  • Métis Coat
    Métis Coat
    1979 1 min
    In this short from the Canada Vignettes series, the Earl of Caledon of Tyrone, Ireland, acquires an elegantly tailored deerskin coat. The coat is trimmed with fringe and brightly dyed porcupine quill embroidery, in a fashion popularized by the Métis.
  • First Stories - The Power of a Horse
    First Stories - The Power of a Horse
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    Cory Generoux 2007 4 min
    The Power of a Horse is the moving account of filmmaker Cory Generoux dealing with the scars that racism left on his life - both as its recipient and perpetrator. This potent, short film reveals a simple and beautiful lesson that changed his life.
  • Foster Child
    Foster Child
    Gil Cardinal 1987 43 min
    An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards. “Foster Child is one of the great docs to come out of Canada, and nobody but Gil could have made it,” says Jesse Wente, director of Canada’s Indigenous Screen Office. “Gil made it possible for us to think about putting our own stories on the screen, and that was something new and important.”
  • The Giant
    The Giant
    Denis Nokony 1987 2 min
    This animated short tells the story of Edouard Beaupré, a.k.a. the Willow Bunch Giant. At 2.5 m (8’ 3”), he was the tallest Canadian in history. Born in 1881 in a small Métis community south of Moose Jaw, Saskatchewan, his life was tragically cut short in 1904 while he was “on display” at the St. Louis World’s Fair.
  • Like the Trees
    Like the Trees
    Kathleen Shannon 1974 14 min
    This short film is told in the first person by Rose, a Métis woman from northern Alberta who has left a difficult life in the city to rediscover her roots by returning to her Woodland Cree community. Rose reveals the racism, isolation and health issues she faced when trying to make a life for herself outside her home community, and how she is able to help others now that she has reconnected to her culture.

    The film is part of a 1970s series of eleven films title Working Mothers by producer/director Kathleen Shannon, exposing inequality for women in accessing education, childcare, and equal pay. These films led to the creation of Studio D at the National Film Board, the world’s first feminist production studio. 
  • Matheson Island
    Matheson Island
    Kevin Settee 2021 14 min
    This episode tells the story of the Whiteways of Matheson Island, who for generations have depended on commercial fishing as a means of survival and livelihood. The Whiteways share their devotion to their fishing lifestyle and the fulfillment and freedom it provides, as well as various challenges that arise due to factors such as health, government policy and the threatened future of the fishing industry.
  • The Lake Man
    The Lake Man
    Raymond Garceau 1963 27 min

    Alexis Ladouceur's life has the tranquility of his surroundings and he belongs to the lake as much as the fish he lifts from the net or the flight of ducks arrowing over the reeds. By contrast, his brother, who farms nearby, seems of a different world. The film reflects the past story of the Métis, people of mixed French and First Nations' heritage, and the life of their communities.

  • Lake
    Lake
    Alexandra Lazarowich 2019 5 min

    Cree director Alexandra Lazarowich riffs off classic verité cinema to craft a contemporary portrait of Métis women net fishing in Northern Alberta.

  • Man Who Chooses the Bush
    Man Who Chooses the Bush
    Tom Radford 1975 28 min
    For five or six months at a time, Frank Ladouceur lives alone, trapping muskrat in the vast, desolate wilderness of northern Alberta. His family last visited him there some 14 years ago, and Frank’s own visits to the family home in Fort Chipewyan are few and far between. This is the story of an independent Métis man who is remarkably determined and self-sufficient, and who is ceaselessly called to return to the bush. Early experiences at Holy Angels residential school are recounted by his daughter. A Christmas play at the local school is presented in Cree. After a family Christmas meal, the fiddle and guitar are taken out and the Red River Jig begins.
  • Mother of Many Children
    Mother of Many Children
    Alanis Obomsawin 1977 57 min
    In her first feature-length documentary, released in 1977, Alanis Obomsawin honours the central place of women and mothers within Indigenous cultures. An album of Indigenous womanhood, the film portrays proud matriarchal cultures that for centuries have been pressured to adopt the standards and customs of the dominant society. Tracing the cycle of Indigenous women’s lives from birth to childhood, puberty, young adulthood, maturity and old age, the film reveals how Indigenous women have fought to regain a sense of equality, instilled cultural pride in their children and passed on their stories and language to new generations.
  • No Turning Back
    No Turning Back
    Gregory Coyes 1996 47 min
    This film follows the aftermath of the Oka crisis, which brought Indigenous rights into sharp focus. After the barricades came down, the Royal Commission on Aboriginal Peoples was created, and travelled to more than 100 communities and heard from more than 1,000 representatives. For two-and-a-half years, teams of Indigenous filmmakers followed the Commission on its journey.
  • PowWow at Duck Lake
    PowWow at Duck Lake
    1967 14 min
    This powerful short documentary showing Indigenous youth resistance and emerging voices that will continue to define the landscape of Indigenous cultural and political activism for the next generation. Members of the National Youth Council, including Duke Redbird and Harold Cardinal, have a powerful exchange with a hostile white priest about the failures of the education system in relation to Indigenous people. The group tackles issues including segregated residential schools, the denial of citizenship rights, loss of language, and mass incarceration, many of which persist or continue to be stumbling blocks in the relationship between Indigenous people and the Government of Canada today.
  • Places Not Our Own
    Places Not Our Own
    Derek Mazur 1986 57 min
    Part of the Daughters of the Country series, this dramatic film set in 1929 depicts how Canada's West, home to generations of Métis, was taken over by the railroads and new settlers. As a result, the Métis became a forgotten people, forced to eke out a living as best they could. At the forefront is Rose, a woman determined to provide her children with a normal life and an education despite the odds. But due to their harsh circumstances, a devastating and traumatic event transpires instead.
  • Riel Country
    Riel Country
    Martin Duckworth 1996 49 min
    This documentary from Martin Duckworth features young adults from two distinct Winnipeg neighbourhoods on either side of the Red River who struggle to overcome geographical and cultural barriers. High school students from the predominantly Indigenous North End and their peers from the Francophone district of St. Boniface work together to produce a play on the origins of the Métis.

    Their collaboration raises questions about how these youths foresee their role and place within their respective communities and how these minority communities co-exist with the predominant culture. The film also tackles issues of intolerance, racism and discrimination.
  • Richard Cardinal: Cry from a Diary of a Métis Child
    Richard Cardinal: Cry from a Diary of a Métis Child
    Alanis Obomsawin 1986 29 min
    Richard Cardinal died by his own hand at the age of 17, having spent most of his life in a string of foster homes and shelters across Alberta. In this short documentary, Abenaki director Alanis Obomsawin weaves excerpts from Richard’s diary into a powerful tribute to his short life. Released in 1984—decades before the Truth and Reconciliation Commission—the film exposed the systemic neglect and mistreatment of Indigenous children in Canada’s child welfare system. Winner of the Best Documentary Award at the 1986 American Indian Film Festival, the film screened at New York’s Museum of Modern Art in 2008 as part of an Obomsawin retrospective, and continues to be shown around the world.
  • This Riel Business
    This Riel Business
    Ian McLaren 1974 27 min
    This documentary short is a cinematic recording of Tales from a Prairie Drifter, a stage comedy about the North-West Resistance during the opening of the Canadian West. Highlighting the roles of Louis Riel, the Resistance leader, prime minister Sir John A. Macdonald and General Middleton, who was sent to quell the uprising, the play defines the First nations and Métis cause more succinctly than many history books. Here, the play is performed by the Regina Globe Theatre before an Indigineous audience of First Nations and Métis, whose reactions are recorded.
  • The Tournament
    The Tournament
    Sam Vint 2020 22 min
    Over the course of a weekend tournament, youth sledge hockey teams from the U.S. and Canada battle for supremacy. Designed for players who have a physical challenge, the fundaments of the sport — passing, shooting, trash talking your opponents – remain the same. Director Sam Vint captures the end-to-end action as the Manitoba Sledgehammers do it all.