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Adolescents and Young Adults (24)
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Alanis Obomsawin Virtual ClassroomDan Thornhill 2016 57 minThe NFB and its community partner, the Ottawa-Carleton District School Board, present a Virtual Classroom with acclaimed documentary filmmaker and social activist Alanis Obomsawin and community activists Gabrielle Fayant and Brock Lewis. Recorded live at the OCDSB’s Aboriginal Learning Center, and moderated by CBC journalist and author Waubgeshig Rice, the event focusses on the topic of social justice in Indigenous communities and the positive shifts brought about by Indigenous youth. The panellists come together to talk about the hot-button social issues that young people in Indigenous communities are facing, with an emphasis on the various ways in which these youth are working to overcome these challenges. -
Beating the StreetsLorna Thomas 1998 48 minBeating the Streets traces six years in the lives of Marilyn Brighteyes and Lance Marty, two inner-city Aboriginal teenagers struggling to turn their lives around. And it is the story of Joe Cloutier, the teacher -- and former dropout -- determined to help them.
In Beating the Streets, Marilyn and Lance candidly discuss the abuse and violence that drove them into prostitution and drug dealing. The video also introduces Joe's innovative approach, combining alternative education and popular theatre as a way to get young people off the streets.
The film begins in 1986, when Joe creates the Inner City Drama Association (ICDA) for teens like Marilyn and Lance. They participate in theatre workshops led by actors like Tantoo Cardinal Dances with Wolves and their plays explore important issues like substance abuse, family violence, suicide and racism. Performances lead to discussions with the audience in an effort to seek healthy solutions.
Then, in 1993, Lance encourages Joe to take on the immense challenge of opening an alternative school -- Inner City High -- for teens at risk. And we witness a remarkable transformation in Lance and Marilyn as they become leaders at the school. -
Circle of the SunColin Low 1960 29 minThis short documentary by Colin Low is an invitation to a gathering of the Káínaa of Alberta - as the Sun Dance is captured on film for the first time. The film shows how the theme of the circle reflects the bands' connection to wildlife and also addresses the predicament of the young generation, those who have relinquished their ties with their own culture but have not yet found a firm place in a changing world.
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Cold JourneyMartin Defalco 1975 1 h 15 minFifteen-year-old Buckley (Buckley Petawabano) attends residential school, where he longs for his home and dreams of fishing and hunting. Yet when he returns to the reserve for the summer he feels like a stranger, unable to speak his Cree language or live off the land like his father and brothers. Johnny (Johnny Yesno), an Indigenous caretaker at the school, takes Buckley under his wing, introducing him to Indigenous history, culture, and knowledge. After finding Buckley’s frozen body in the snow, Johnny pieces together the events of the boy’s short life and tragic death, which left him unable to find a place for himself between the white and Indigenous worlds. Featuring the soulful music of Willie Dunn, Cold Journey's narrative is similar to the true story of Charlie Wenjack, a young Anishinaabe boy who froze to death running away from residential school in 1966. The film was made with members of the Indian Film Crew and features Chief Dan George.
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Finding DawnChristine Welsh 2006 1 h 13 minAcclaimed Métis filmmaker Christine Welsh brings us a compelling documentary that puts a human face on a national tragedy – the epidemic of missing or murdered Indigenous women in Canada. The film takes a journey into the heart of Indigenous women's experience, from Vancouver's skid row, down the Highway of Tears in northern BC, and on to Saskatoon, where the murders and disappearances of these women remain unsolved.
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Youth / OshkaadiziigAngelina McLeod 2019 14 minShoal Lake 40 youth share what it’s like to be forced to live away from their close-knit families and community to attend high school in Kenora, Ontario. The community’s school provides courses up to the Grade 8 level only, so there are no other options for young people who want to continue their education. Some of the young men are able to work on the construction of the road, a rare opportunity to have a good job in the community. The pride of the youth in doing this work is palpable, and they express the gratification that comes with providing safety for their Elders and opportunities for future generations. Despite the systemic and personal racism they’ve already experienced, Freedom Road gives the youth a sense of optimism and instills hope in them for the future of their community and their own ability to contribute.
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Gene Boy Came HomeAlanis Obomsawin 2007 24 minThis short documentary by celebrated filmmaker Alanis Obomsawin is a portrait of Eugene "Gene Boy" (pronounced Genie Boy) Benedict, from Odanak Indian Reserve (near Montreal, Quebec). At 17, he enlisted in the US Marines and was sent to the frontlines of the Vietnam War. This film is the account of his 2 years of service and his long journey back to Odanak afterwards.
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Innu-Aimun - The Innu LanguageCarl Grégoire & Spencer St-Onge 2009 4 minA beautiful music video featuring the talented group Uashtushkuau singing an emotional song, in Innu, about the importance of protecting Aboriginal languages. Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios and is part of the 2008 Selection - Wapikoni Mobile DVD.
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Indian DialogueDavid Hughes 1967 27 minLeading Indigenous activists, thinkers and community organizers – including Harold Cardinal, Walter Dieter, Mary Ann Lavallee and Duke Redbird – have a frank conversation about the broken relationship between the Government of Canada and Indigenous people. Taking place in 1967, the discussion remains deeply resonant today, where the same issues persist. The group expertly parse the “unconscionable” treaty agreements, the intricacies of the Indian Act, and the political system as tools designed to prevent Indigenous self-determination and economic independence. They explore what it means to be “Indian”, and offer radical new ideas for Indigenous self-governing policies, some of which were developed by individuals in this group, and others that are still being fought for today. This film was produced as part of Challenge for Change/Société Nouvelle (CFC/SN), a ground-breaking community engaged documentary program run by the NFB from 1967 to 1980. The program pioneered participatory and experimental storytelling in film and video, with a focus on the perspectives of Indigenous and marginalized communities whose voices were rarely represented in the media landscape. In 1968, the Challenge for Change program established the “Indian Film Crew”, marking the beginning of a movement of Indigenous filmmaking at the NFB, and in Canada.
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Mohawk GirlsTracey Deer 2005 1 h 2 minShot over two years, Mohawk Girls provides a surprising inside look at modern Indigenous youth culture. Deeply emotional yet unsentimental, it reveals the hope, despair, heartache and promise of growing up Indigenous at the beginning of the 21st century.
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No AddressAlanis Obomsawin 1988 55 minFar from home and cut off from family and friends, Montreal’s Indigenous homeless population is the focus of No Address. Dreams of a better life in the big city can be met with harsh realities, as the individuals in this documentary recount. Often trying to flee circumstances created by colonialism and the effects of assimilation, the First Nations and Inuit people in this work share frank stories about their lives and the paths that took them to the streets of Montreal. Alanis Obomsawin presents an honest, stark portrayal of endemic homelessness while giving voice to those so often overlooked or made invisible on the streets of every city in Canada.
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Our People Will Be HealedAlanis Obomsawin 2017 1 h 36 minOur People Will Be Healed, Alanis Obomsawin’s 50th film, reveals how a Cree community in Manitoba has been enriched through the power of education. The Helen Betty Osborne Ininiw Education Resource Centre in Norway House, north of Winnipeg, receives a level of funding that few other Indigenous institutions enjoy. Its teachers help their students to develop their abilities and their sense of pride.
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Puberty - Part 1Alanis Obomsawin 1975 14 minAn intimate portrait of Marie Leo, a Sto:lo woman who was adopted into a Líl̓wat family as a baby. Marie’s gentle narrative of her remarkable early childhood demonstrates a deep connection to culture, land and family that continues to endure.
This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge. -
Puberty - Part 2Alanis Obomsawin 1975 17 minElder Marie Leo recounts her experiences going through puberty. Growing up on the Líl̓wat Nation near Mount Currie, B.C., Marie details the important process of preparing for womanhood. The various tasks and duties she undertakes demonstrate a complex, beautiful journey a young Líl̓wat person undergoes as they welcome adulthood and increased responsibilities.
This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge. -
Puberty Part 2 - Kwaozán'tsut ti án'wasa 2 (Salish Version)Alanis Obomsawin 1975 17 minElder Marie Leo recounts her experiences going through puberty. Growing up on the Líl̓wat Nation near Mount Currie, B.C., Marie details the important process of preparing for womanhood. The various tasks and duties she undertakes demonstrate a complex, beautiful journey a young Líl̓wat person undergoes as they welcome adulthood and increased responsibilities.
This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge. -
Puberty Part 1 - Kwaozán'tsut ti pál7a 1 (Salish Version)Alanis Obomsawin 1975 14 minAn intimate portrait of Marie Leo, a Sto:lo woman who was adopted into a Líl̓wat family as a baby. Marie’s gentle narrative of her remarkable early childhood demonstrates a deep connection to culture, land and family that continues to endure.
This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge. -
Places Not Our OwnDerek Mazur 1986 57 minPart of the Daughters of the Country series, this dramatic film set in 1929 depicts how Canada's West, home to generations of Métis, was taken over by the railroads and new settlers. As a result, the Métis became a forgotten people, forced to eke out a living as best they could. At the forefront is Rose, a woman determined to provide her children with a normal life and an education despite the odds. But due to their harsh circumstances, a devastating and traumatic event transpires instead.
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Riel CountryMartin Duckworth 1996 49 minThis documentary from Martin Duckworth features young adults from two distinct Winnipeg neighbourhoods on either side of the Red River who struggle to overcome geographical and cultural barriers. High school students from the predominantly Indigenous North End and their peers from the Francophone district of St. Boniface work together to produce a play on the origins of the Métis.
Their collaboration raises questions about how these youths foresee their role and place within their respective communities and how these minority communities co-exist with the predominant culture. The film also tackles issues of intolerance, racism and discrimination. -
The Red DressMichael Scott 1978 27 minRenowned Métis author and screenwriter Maria Campbell explores themes of cultural identity, sexual assault and the familial impact of colonialism in The Red Dress, echoing the themes of her seminal memoir, Halfbreed. Kelly is a Métis man without treaty or hunting rights, struggling to sustain his traditional life. His daughter Theresa longs for a red dress from France that she believes will give her power and strength, as the bear claw once did for her great-grandfather Muskwa. When Theresa escapes an assault and Kelly turns his back on his daughter, he realizes that he must reconnect with his culture in order to make things right. Today, the red dress is a powerful symbol recognizing over 1000 missing and murdered Indigenous women in Canada.
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Still AliveCherilyn Papatie 2009 5 minTree-planters planting hope. A symbolism that speaks movingly of the resistance of Aboriginal peoples.
Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios and is part of the 2008 Selection - Wapikoni Mobile. -
Trick or Treaty?Alanis Obomsawin 2014 1 h 24 minCovering a vast swath of northern Ontario, Treaty No. 9 reflects the often contradictory interpretations of treaties between First Nations and the Crown. To the Canadian government, this treaty represents a surrendering of Indigenous sovereignty, while the descendants of the Cree signatories contend its original purpose to share the land and its resources has been misunderstood and not upheld. Enlightening as it is entertaining, Trick or Treaty? succinctly and powerfully portrays one community’s attempts to enforce their treaty rights and protect their lands, while also revealing the complexities of contemporary treaty agreements. Trick or Treaty? made history as the first film by an Indigenous filmmaker to be part of the Masters section at TIFF when it screened there in 2014.
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That Old Game La CrosseJL Whitecrow 2018 7 minLong before Canada became a country, every nation on Turtle Island had its own unique version of a stick-ball game. The most popular one on this continent has always been lacrosse, a game that was gifted to the First Nations by the birds and four-legged animals, and played for centuries as a medicine game. This short film explores how the medicine game that has been passed down from generation to generation by the Haudenasaunee at the Fort Erie Native Friendship Centre is helping to revive their cultures and restore their communities. Young people have always been at the centre of community for many First Nations societies, and this documentary shares the wisdom of cultivating the spirit of belonging in youth, revealing how this is helping to shape a new future.
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Some StoriesClayton Windatt 2018 8 minSome Stories follows a group of Indigenous youth from the Nipissing (Nbisiing) region who come together through the North Bay Indigenous Friendship Centre and explore the importance and impact of stories in their lives.
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The Water LoverDélia Gunn , Sonia Brazeau , … 2009 4 minRoland Papatie of Kitcisakik drowned in the turbulent waters below the Dozois Dam in Abitibi. A tribute to a brother and friend. Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. The 15 films presented here are a mosaic of contemporary and original works.
