Skip to content
Accessibility
Indigenous Peoples (10)
-
Giiwe - This is HomeMerle Robillard & Andrew Lau 2020 27 minBetween 1965 and 1984, Canadian child protection workers removed more than 20,000 indigenous children from their homes on reserves and placed them in foster care or put them up for adoption without the consent of their families or bands. Almost all of these children were placed with white, middle class families, and were effectively stripped of their cultural identities. Many bounced from foster home to foster home, ran away, and developed addictions in order to cope. Some of these children were treated like slave labour and/or experienced physical, sexual or emotional abuse.
The majority developed emotional problems later in life and had difficulty developing a strong sense of identity in either the Euro-Canadian or their indigenous cultures. Brent Mitchell, who was removed from his Ojibwe home near Sagkeeng First Nations, Manitoba when he was just a year old and moved to New Zealand with his foster parents when he was five where he endured emotional, physical and sexual abuse.
Brent Mitchell’s story clearly illustrates the complete lack of sensitivity, respect and consideration to aboriginal children to their culture and family. In the summer of 2017, we met Brent and his wife, Yolanda who traveled from New Zealand to Winnipeg, Manitoba. During the week we spent together, we witnessed the connection grow between Brent, his sister, Penny and brother, Ron as well as with their identity and culture. -
Inconvenient IndianMichelle Latimer 2020 1 h 28 minIn this time of radical change and essential re-examination, Inconvenient Indian brings to life Thomas King’s brilliant dismantling of North America’s colonial narrative, reframing this history with the powerful voices of those continuing the tradition of Indigenous resistance.
Please note: This film was temporarily withdrawn from active distribution after the director’s Indigenous identity was called into question in late 2020, when the Kitigan Zibi Anishinabeg, an Algonquin First Nation, denied any connection to her during a CBC investigation. After 2022 series of meaningful consultations involving all the Indigenous participants whose stories the film presents, as well as the NFB’s Indigenous Advisory Committee, the NFB, 90th Parallel Productions and producer Jesse Wente arrived at an accountable path forward for the film, one that acknowledges the collective contribution of the on-screen Indigenous participants. Inconvenient Indian premiered on APTN on April 8, 2022, and it has been made available on APTN’s online viewing platform.
Inconvenient Indian is available for educational distribution and community screenings, along with supplementary resource material that has been created to encourage reflection and discussion. Please contact the NFB Client Relations and Support team to find out how to obtain the film as an educational resource (classroom use) and for community screenings. -
Indian MementoMichel Régnier 1967 18 minA visit to the "Indians of Canada" pavilion at Expo 67, Montréal. Inside there are Indigenous artifacts, but even more arresting are the printed placards that tell the story of the Indigenous peoples in North America, written without rancor but recalling what their contact with European settlers has cost in freedom of movement, in loss of land, and in loss of health of body and spirit.
-
The Invisible NationRichard Desjardins & Robert Monderie 2007 1 h 33 minThe Algonquin once lived in harmony with the vast territory they occupied. This balance was upset when the Europeans arrived in the 16th century. Gradually, their Aboriginal traditions were undermined and their natural resources plundered. Today, barely 9,000 Algonquin are left. They live in about 10 communities, often enduring abject poverty and human rights abuses. These Aboriginal people are suffering the threat to their very existence in silence. Richard Desjardins and Robert Monderie have decided to sound the alarm before it's too late.
-
Kanata: Legacy of the Children of AataentsicRené Sioui Labelle 1999 52 minIn this feature documentary, filmmaker René Siouï Labelle retraces the path of his ancestors and surveys their territories, recording images of stunning beauty. He unveils a historical journey known to very few as he reflects upon the identity of the Wendat nation. In French with English subtitles.
-
Ka Ke Ki KuRené Bonnière & Pierre Perrault 1960 29 minThis early work from Pierre Perrault, made in collaboration with René Bonnière, chronicles summer activities in the Innu communities of Unamenshipu (La Romaine) and Pakuashipi. Shot by noted cinematographer Michel Thomas-d’Hoste, it documents the construction of a traditional canoe, fishing along the Coucouchou River, a procession marking the Christian feast of the Assumption, and the departure of children for residential schools—an event presented here in an uncritical light. Perrault’s narration, delivered by an anonymous male voice, underscores the film’s outsider gaze on its Indigenous subjects. The film is from Au Pays de Neufve-France (1960), a series produced by Crawley Films, an important early Canadian producer of documentary films.
Alexis Joveneau, a Catholic priest with the Missionary Oblates of Mary Immaculate, worked in the Innu community of Unamenshipu (La Romaine) between 1960 and 1985, and appears in five NFB productions: Attiuk (1960), Ka Ke Ki Ku (1960), Le goût de la farine (1977), Le pays de la terre sans arbre ou le Mouchouânipi (1980) and La grande allure II (1985). Joveneau is seen in several scenes of Ka Ke Ki Ku, teaching Innu children and providing Innu-aimun/French translation.
In November 2017, during Canada’s National Inquiry into Missing and Murdered Indigenous Women and Girls, a number of Innu women from Unamenshipu testified that they had been sexually and physically abused by Joveneau, who died in 1992. Many other women subsequently came forward with similar allegations, and on March 29, 2018, a request for a class action was filed in Quebec Superior Court on behalf of the women against the Missionary Oblates of Mary Immaculate. The class action was authorized on November 16, 2021. The Oblates named in the suit include Alexis Joveneau, Omer Provencher, Edmond Brouillard, Raynald Couture and Édouard Meilleur.” -
Our NationhoodAlanis Obomsawin 2003 1 h 36 minIn this feature-length documentary, Indigenous filmmaker and artist Alanis Obomsawin chronicles the determination and tenacity of the Listuguj Mi'kmaq people to use and manage the natural resources of their traditional lands. The film provides a contemporary perspective on the Mi'kmaq people's ongoing struggle and ultimate success, culminating in the community receiving an award for Best Managed River from the same government that had denied their traditional rights.
-
Rocks at Whiskey TrenchAlanis Obomsawin 2000 1 h 45 minStories of resistance, strength and perseverance are laid bare in this examination of a dark day in Canadian history. At the height of tensions at Oka, Quebec, in 1990, Kanien’kehá:ka (Mohawk) women, children and Elders fled their community of Kahnawake out of fear for their safety. Once past the Canadian Army that surrounded their home, they were assaulted by angry non-Indigenous protesters who pelted their convoy with rocks. This visceral display of hatred and violence – rarely seen so publicly in Canada – shocked the nation and revealed the severity of the dangers that faced the Kanien’kehá:ka in their struggle to defend a sacred site.
This film is the fourth in Alanis Obomsawin’s landmark series on the Mohawk resistance at Oka that would become a pivot point in contemporary relationships between Indigenous nations and Canada. -
Trick or Treaty?Alanis Obomsawin 2014 1 h 24 minCovering a vast swath of northern Ontario, Treaty No. 9 reflects the often contradictory interpretations of treaties between First Nations and the Crown. To the Canadian government, this treaty represents a surrendering of Indigenous sovereignty, while the descendants of the Cree signatories contend its original purpose to share the land and its resources has been misunderstood and not upheld. Enlightening as it is entertaining, Trick or Treaty? succinctly and powerfully portrays one community’s attempts to enforce their treaty rights and protect their lands, while also revealing the complexities of contemporary treaty agreements. Trick or Treaty? made history as the first film by an Indigenous filmmaker to be part of the Masters section at TIFF when it screened there in 2014.
-
Crossing the LineTracey Deer 2009 3 minFilmmaker Tracey Deer's short film turns the politics and conflicts of a playground sandbox into an allegory for the way nations treat one another, and the borders seem to do more harm than good.
