When Art, Math and Philosophy Collide (Ages 5-8)

This short animation mixes traditional and computer animation to explore one of M.C. Escher's most famous works, the woodcut Sky and Water I (1938). Accompanied by a stunning soundtrack, this mesmerizing film playfully explores and deconstructs the optical illusion within one of the Dutch artist's most recognizable pieces. This film has no dialogue.

Ce film d'animation illustre les aspects toujours nouveaux des choses vues selon le mode de la perspective. Bâti sur un jeu de formes géométriques richement colorées qui se répondent suivant le principe de la division, de l'étalement ou de l'imbriquement, Perspectre est un subtil exemple de ce phénomène de la perspective, phénomène d'observation courante auquel toutefois la force d'évocation propre au film d'animation ajoute un caractère insolite. Cela tient sans doute à ce que l'observation qui en est faite en exploite les facettes les plus diverses. Film sans paroles.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films. Lines - Horizontal is accompanied by American folk musician Pete Seeger on wind and string instruments.

This short experimental animation tempts the eye with gradually unfolding yet increasingly complex movement, colour and sound. Reminiscent of the mid-20th-century style of “op art,” McLaren and Lambart’s film follows a single tiny square as it divides and multiplies, eventually forming a colourful, hypnotic mosaic set to the animators’ precise and deliberate musical orchestration.

This animated short by Norman McLaren and René Jodoin is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films. Lines - Vertical is accompanied by composer Maurice Blackburn on the electronic piano.

An animated film by Norman McLaren and Evelyn Lambart that endows arithmetic with lively humour. The screen becomes a numerical free-for-all as digits meet in playful encounter, add and subtract, jostle, attack and elude one another.