Trous de cul, une théorie
Avez-vous l’impression que les trous du cul sont partout de nos jours? Trous de cul, une théorie, un nouveau documentaire de John Walker, enquête sur le terreau de la «culture du trou du cul¿» et cherche des signes de civilité dans un univers par ailleurs grossier et méchant.
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Avez-vous l’impression que les trous du cul sont partout de nos jours? Trous de cul, une théorie, un nouveau documentaire de John Walker, enquête sur le terreau de la «culture du trou du cul¿» et cherche des signes de civilité dans un univers par ailleurs grossier et méchant.
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project inspirationAaron James
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directionJohn Walker
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narrationJohn Walker
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scriptJohn WalkerRobert Sandler
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productionAnn BernierAnnette ClarkeJohn Walker
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photography directingPaul McCurdy
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editingJeff Warren
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original musicSandy Moore
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animationRon McDougall
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location soundJim Rillie
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sound designAlex SalterDonald Walls
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intervieweeAaron JamesAimée MorrisonRobert HockettPaul PurcellSherry Lee Benson-PodolchukJohn CleeseSuji GelermanRobert I. SuttonGeoffrey NunbergJohnathan GilmoreSherry F. ColbSaule OmarovaBill EmmottEdoardo AlbinatiLorella ZanardoTim ParksPiercamillo DavigoVladimir LuxuriaLeslie MileyBethanye McKinney BlountMary SarnataroLeslie DixonGiuseppe FalsoneRuss LarawayGad LernerPaul RussellKim ScottBeatrice Maria 'Bebe' VioLuigi Zoja
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researchValerie MansourElena Dal PraOliver Neidhart
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visual researchElspeth Domville
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NoneMerrily WeisbordMatt LavinAnn BernierDonald WallsJustin GaudreaultMatt DawsonThe Hideout StudiosRon McDougall902 Post Inc.Carter ThurberJordana Ross
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development advice and supportLouise Rosen
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studio interview and streeterCaleb CechotaJulienne CordyRob DelanoKevin Michael DunfordDakota GambleAlejandro ChupinaAustin HareRebecca JohnsonDavid LewisMartin MorrowPeggy RichardsonChristian RiveraEnze YangVoncile Brown-MillerRoxxy DowellQuinnesh DowlingBea FieldsFabian HodrickJohn LopezCynthia MasettoDouglas PrideauxAmmons E. SmithShane K. SmithRyan Taglianetti
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supplementary footageIdan MeninBecky ParsonsWill Pugh
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camera assistantSophie LemoineMelisse Sporn
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additional soundStephen HopkinsMax HirtensteinJuan Nunez
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production assistantAmanda BernhardtKristen DegirolamoKanishka GulatiBjorn JakobsonDavid La HayeMarina Cunha MartinsChristopher MorganPatrick David OrrLivia SaStefano Santamato
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casting agencyErin HennesseyKen Lazer
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trailer editorChris Turner
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production coordinatorKelsey PowerAmy TrefryDanielle NobleCheryl Murgatroyd
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production internBronwen McKie
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coordinatorFrancesco Lonardi
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production accountantAngie Kokic
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english transcriptionMichelle McStayAndrew Bateman
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italian transcription / translationTidal Transcreative
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subtitlingZoé Major
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production supervisorRoz Power
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technical coordinatorDaniel LordChristopher MacIntosh
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marketingJohanna Lessard
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media relationPatricia Dillon-Moore
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administrationLeslie Anne Poyntz
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chamber ensembleSusan SayleÉtienne ChénardNorman AdamsEileen WalshMichael DonovanSandy Moore
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jazz ensembleSilvio Pupo MonteroDamien MoynihanLukas PearseKen MacKay
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music recordingThe Sonic Temple
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music mixThe Sonic Temple
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sound engineerDarren Van Niekerk
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recording assistantScott MacKeyTakoda SullivanConnor MacLeod
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film mixOffice national du film du Canada
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sound mixerShelley Craig
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scoringAlex Arnold
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dialog editingBob Melanson
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website designRon McDougall
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editing assistantDavid Mullins
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post-production coordinatorKelsey Power
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coloristDoug Woods
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online editorDoug Woods
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dailiesRobert Carrigan
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legal counselRobert AskeStewart McKelvey
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accounting servicesPatricia Dyson
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insurancePaul LipkusFront Row Insurance Brokers Inc.
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senior director, documentarySandra Kleinfeld
Warning: Language (frequent use of the word “asshole” and other profanity and gay slurs); mentions of alcohol and drugs, sexism, sexual abuse, suicide, gun violence.
Brief “lesson launcher type” activity or a series of inquiry questions with a bit of context.
Documentary exploring the question of who is an “asshole” in various professions, politics, media and the world at large. What traits are universally designated as “asshole” traits across all professions? From a child-development standpoint, what can adults do to discourage the emergence of such traits in children? The documentary proposes several ways that organizations should work to discourage “assholes” from coming into power. Which strategies would be the most effective for specific industries? Why might they work in some and not others? How does having “asshole” leaders in politics affect the well-being and development of countries? Does the influence of “asshole” leaders extend to the greater public? What examples might we have of this in our current climate?
