The NFB is committed to respecting your privacy

We use cookies to ensure that our site works efficiently, as well as for advertising purposes.

If you do not wish to have your information used in this way, you can modify your browser settings before continuing your visit.

Learn more
Skip to content Accessibility
New release
Coming 
None

Reema, allers-retours

2006 1 h 15 min
Leaving soon

Documentaire personnel d’une jeune Canadienne aux prises avec des questions troublantes sur sa double identité. Entre une mère Canadienne qui, jusque-là, a été sa seule famille, et un père irakien qui, après seize ans de silence, veut connaître sa fille, Reema passe deux mois avec lui, en Jordanie. Le réalisateur épouse le point de vue de cette jeune fille sensible et pleine de contradictions propres à l'adolescence et à la nature humaine.

We're sorry, this content is not available in your location.
Your rental expires on
None
You've already purchased this film.
Download it from My purchases.
Not available
Share
Reema, allers-retours

Details

Documentaire personnel d’une jeune Canadienne aux prises avec des questions troublantes sur sa double identité. Entre une mère Canadienne qui, jusque-là, a été sa seule famille, et un père irakien qui, après seize ans de silence, veut connaître sa fille, Reema passe deux mois avec lui, en Jordanie. Le réalisateur épouse le point de vue de cette jeune fille sensible et pleine de contradictions propres à l'adolescence et à la nature humaine.

  • participation
    Reema Al-Khoja
    Elizabeth Stuart
    Tamara Al-Khoja
    Ali Al-Khoja
    Samia Al-Khoja
    Sami Al-Khoja
    Saadoun Al-Khoja
    Ghassan Al-Khoja
    Difaf Al-Khoja
  • direction
    Paul Émile d'Entremont
  • research
    Paul Émile d'Entremont
  • writing
    Paul Émile d'Entremont
  • None
    Ali Reggab
    Lyne Taillon
    Paul Émile d'Entremont
    Karine Sévigny
  • location sound
    Georges Hannan
    Bruce LaPointe
  • picture editing
    Patricia Tassinari
  • sound editing
    Esther Auger
  • sound mixer
    Shelley Craig
  • original music
    Daniel Toussaint
  • music recording studio
    Daniel Toussaint
  • sound effects creation
    Stéphane Cadotte
  • post-sync effects recording
    Geoffrey Mitchell
  • digitizing
    Denis Gathelier
  • online editing
    Denis Pilon
  • technical support - digital editing
    Isabelle Painchaud
  • titles
    Gaspard Gaudreau
  • infographics
    Louise Overy
  • script advisor
    Diane Poitras
  • translation
    Robert Chidiac
    Claude Dallaire
  • subtitling
    Claude Dallaire
  • supplementary footage
    Kent Nason
    Paul Émile d'Entremont
    Glenn Walton
    Reema Al-Khoja
  • photography assistance
    Mohamed Mohessin
  • driver
    Salameh A Tartouri
    Saleh Abdelyaman
  • supervision for additional music
    Daniel Toussaint
  • marketing
    Mia Desroches
  • administration
    Johanne Dubuc
    Colette Allain
  • administrative team
    Mélanie LeBlanc
    Marie-Josée Lavoie
    Christine Aubé
  • technical coordination
    Brigitte Sénéchal
    Andrée Delagrave
  • delegate producer
    Murielle Rioux-Poirier
  • executive producer
    Jacques Turgeon
  • producer
    Jacques Turgeon

Enjoy the NFB experience on your favourite device

Education

Ages 14 to 17
School subjects
Have a class discussion on Elizabeth's decision to leave Iraq with only one daughter. Students could also respond with a journal entry. Compare women's role in society in North America and in Iraq. What are the differences? Invite a Muslim woman to come in and speak to the class about a woman's role in Iraq (expectations concerning jobs, family, etc.). Do you think that if Reema had been more educated from a young age about her Iraqi culture she would not be so judgemental about certain aspects of it? Before assigning the following project, bring students' attention to this website where a comparison of eastern and western cultures and beliefs are compared. Group students and have them research an eastern culture then present their findings.
Reema, allers-retours
Purchase options
Also available
Licence information
Already paid to see this film?
Licencing information

Home licence (worldwide); Classroom licence (Canada only)

You may download this film for private, personal or classroom use only. Public screenings and institutional (non-educational institutions) uses are not permitted. Download films in standard or high definition. (Please note that bonus materials are not available for DTO films.) You can copy each file up to 5 (five) times, onto various devices. DTO films cannot be hosted on a streaming server. To add DTO films to an institutional or educational streaming server, please contact a sales agent to discuss pricing.

Institutional licence

The institutional price includes the rights to screen this film in institutional settings and in free public screenings.