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Monsieur Pug

2014 9 min
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Ce court métrage d'animation de la cinéaste finaliste aux Oscars Janet Pearlman (La tendre histoire de Cendrillon Pingouin) est une fable délirante et pleine d’humour sur la folie des téléphones intelligents. On y suit un chien paranoïaque qui est convaincu d’être la cible d’une vaste conspiration... Mais Monsieur Pug est-il vraiment un chien?

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Monsieur Pug

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Ce court métrage d'animation de la cinéaste finaliste aux Oscars Janet Pearlman (La tendre histoire de Cendrillon Pingouin) est une fable délirante et pleine d’humour sur la folie des téléphones intelligents. On y suit un chien paranoïaque qui est convaincu d’être la cible d’une vaste conspiration... Mais Monsieur Pug est-il vraiment un chien?
  • direction
    Janet Perlman
  • animation
    Janet Perlman
  • art direction
    Janet Perlman
  • script
    Larry Tremblay
    Janet Perlman
  • dialogues
    Larry Tremblay
    Janet Perlman
  • voice
    Alexis Martin
  • additional voice
    Julie Burroughs
    Teale Bishopric
  • original music
    Judith Gruber-Stitzer
  • sound design
    Judith Gruber-Stitzer
  • additional musical arrangements
    Dave Gossage
  • musician
    Helga Dathe
    Dave Gossage
    Thom Gossage
    Laurence Leclerc
    Myriam Pelletier
  • dialog editing
    Pierre Yves Drapeau
  • sound effects creation
    Karla Baumgardner
  • sound recording
    Geoffrey Mitchell
  • sound mixer
    Serge Boivin
  • infographics
    SteGo
  • digital imaging specialist
    Pierre Plouffe
  • online editing
    Denis Gathelier
  • titles
    Mélanie Bouchard
  • marketing officer
    Geneviève Bérard
  • technical coordinator
    Daniel Lord
  • administrator
    Diane Régimbald
  • administrative team
    Diane Ayotte
    Karine Desmeules
    Michèle Labelle
  • delegate producer
    Francine Langdeau
    Jocelyne Perrier
  • executive producer
    René Chénier
    Julie Roy
  • producer
    Marc Bertrand

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Education

Ages 8 to 12
School subjects

Discuss how this animated short addresses issues of conformity and identity. Explore whether people’s online personas accurately represent or approximate their real-life personality; is this why we have user names or avatars? Debate whether individuals are now too “connected” online to actually form meaningful connections with others. Explain whether Monsieur Pug has lost his way in attempting to be just like everyone else. Does this film have something to say about those who refuse to use social media or who distrust it?