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Inuk en colère

2016 1 h 22 min
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Ce long métrage documentaire aborde la pratique ancestrale de la chasse au phoque. Aspect important du mode de vie inuit, la chasse au phoque constitue depuis longtemps un sujet de controverse. Mais voilà qu’une nouvelle génération d’Inuit animés d’un sentiment de justice et dotés d’un sens de l’humour bien particulier tire profit des médias sociaux pour défier les opposants à cette pratique et s’inviter à la conversation sur cet enjeu. Originaire d'Iqaluit, la réalisatrice Alethea Arnaquq-Baril se joint à ses compatriotes militants alors qu’ils remettent en question les anciennes perceptions à l’égard des Inuit et se présentent au monde entier …

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Inuk en colère

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Ce long métrage documentaire aborde la pratique ancestrale de la chasse au phoque. Aspect important du mode de vie inuit, la chasse au phoque constitue depuis longtemps un sujet de controverse. Mais voilà qu’une nouvelle génération d’Inuit animés d’un sentiment de justice et dotés d’un sens de l’humour bien particulier tire profit des médias sociaux pour défier les opposants à cette pratique et s’inviter à la conversation sur cet enjeu. Originaire d'Iqaluit, la réalisatrice Alethea Arnaquq-Baril se joint à ses compatriotes militants alors qu’ils remettent en question les anciennes perceptions à l’égard des Inuit et se présentent au monde entier comme un peuple moderne ayant terriblement besoin d’une économie durable.

  • script
    Alethea Arnaquq-Baril
  • direction
    Alethea Arnaquq-Baril
  • producer
    Alethea Arnaquq-Baril
    Bonnie Thompson
  • executive producer
    Bob Moore
    Daniel Cross
    David Christensen
  • photography directing
    Qajaaq Ellsworth
  • editing
    Sophie Farkas Bolla
  • music - composition
    Florencia di Concilio
  • participation
    Aaju Peter
    Joannie Ikkidluak
    Isuaqtuq Ikkidluak
    Lasaloosie Ishulutak
    Mikijuk Kolola
    Joshua Kango
    Meeka Mike
    Niore Iqalukjuak
    Jeannie Padluq
    Annie Ikkidluak
    Natsiq Kango
  • None
    John Price
    Christopher Ball
    Jonathan Wright
    Anthony Von Seck
    Van Royko
    Georg Schmitt
    Vera Perrone
    Ryan Mullins
    Mark Aspland
    Alethea Arnaquq-Baril
    Jake Hanna
    Stacey Aglok MacDonald
    Daniel Cross
    Frans Lindell
    Illona Petterson
    Edmund Charles Van Dyk
    Donald Stewart
    Chris Ikonomopoulous
  • skidoo driver
    Joshua Atagooyuk
    Philippe Lavallée
    Levi Pishuktie
    Jonathan Wright
    Qajaaq Ellsworth
  • kimmirut fixer
    Aniqniq Nikki Michael
  • production services
    Valerie Shamash
    Marina Serrao
    Daniela Flori
  • post-production supervisor
    Victor Sandrasagra
  • post-production coordination
    Azed Kettani
  • visual archives research
    Edmund Duff
  • supervision for additional music
    Edmund Duff
  • additional editing
    Edmund Duff
  • story editor
    Daniel Cross
  • mentoring director
    Daniel Cross
  • marketing officer
    Leslie Stafford
  • production coordination
    Faye Yoneda
    Ginette D'Silva
    Jasmine Pullukatt
  • production supervision
    Mark Power
  • centre administrator
    Bree Beach
  • centre operations manager
    Darin Clausen
  • co-producer in development
    Stacey Aglok MacDonald
  • illustrations
    Jonathan Wright
  • animation
    Jonathan Wright
  • graphics assistance
    Julie Palnychenko
  • colour calibration
    Alain Omer Duranceau
  • sound design
    Kyle Stanfield
  • dialog editing
    Cory Rizos
  • sound mixer
    Cory Rizos
  • bookkeeper
    General Ledjah
    Dan Lacroix
    Stephen Kamp
  • audit
    Thomas Pietrkowski
  • insurance
    Globalex
    Front Row Insurance Brokers Inc.
  • legal services
    Remy Khouzam

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Education

Ages 15 to 18
School subjects

What impact did Angry Inuk have on your views about animal welfare and environmental protection? How does the anti-sealing campaign jeopardize Inuit concerns about food security, environmental stewardship, and traditional living? How does this documentary counteract animal rights advocacy propaganda? Discuss how the media have misrepresented the seal hunt. How are traditional ways, lobbying and social media used as part of the public awareness campaign of Inuit sealing activists?  

Inuk en colère
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