Imprints
In this short experimental film, animator Jacques Drouin explores and highlights both sides of Alexeïeff-Parker’s pinscreen. Led by the repeated harmonies of a rondo for harpsichord by François Couperin, the film shows the filmmaker hurling himself into a hand-to-hand tussle with his own favourite instrument. Positioning the camera and lighting to reveal the relief formed by the pins, Drouin continually pivots the screen so that the viewer can glimpse the images hidden behind this mysterious screen.
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In this short experimental film, animator Jacques Drouin explores and highlights both sides of Alexeïeff-Parker’s pinscreen. Led by the repeated harmonies of a rondo for harpsichord by François Couperin, the film shows the filmmaker hurling himself into a hand-to-hand tussle with his own favourite instrument. Positioning the camera and lighting to reveal the relief formed by the pins, Drouin continually pivots the screen so that the viewer can glimpse the images hidden behind this mysterious screen.
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pinscreen animationJacques Drouin
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directorJacques Drouin
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sound designDenis Saindon
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musicFrançois Couperin
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music - performanceLuc Beauséjour
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foleyLise Wedlock
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sound recordingGeoffrey Mitchell
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re-recordingSerge Boivin
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picture editingNatacha Dufaux
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administrationDiane RégimbaldMaryse Chapdelaine
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administrative teamMarie-Gabrielle ForgetMichèle LabelleMélanie Boudreau BlanchardDiane Martindale
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product managerJulie Roy
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laboratoryTechnicolor, Services créatifs, Montréal
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technical coordinationAndrée Delagrave
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line productionFrancine Langdeau
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executive producerMarcel Jean
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producerJean-Jacques LeducMarc Bertrand
