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I Don't Have to Work that Big

1973 27 min
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This short documentary focuses on prairie sculptor Joe Fafard. If there's one thing Joe knows, it's cows. He knows the way they tuck in their forelegs to lie down to ruminate and the way a calf romps in the barnyard. He also knows his friends and neighbours in the farming community of Pense, Saskatchewan—and he sculpts them all in clay, as eloquent and quirky miniatures. Joe's work has been exhibited throughout Canada as well as in Paris and New York, and this film offers a glimpse into his process, his aesthetic, and the charming prairie community in which he lives.

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I Don't Have to Work that Big
  • West
    West
    1973 12 films
    This is the Canadian West that the traveller seldom sees, each film an intimate look at some facet of life of the three Prairie provinces. From the west, the east, the NFB and independent filmmakers, the films in this series show Canadians in many walks of life--the whole colorful mosaic that spreads from the plains of Manitoba and Saskatchewan to the towering peaks of Alberta's mountains.

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This short documentary focuses on prairie sculptor Joe Fafard. If there's one thing Joe knows, it's cows. He knows the way they tuck in their forelegs to lie down to ruminate and the way a calf romps in the barnyard. He also knows his friends and neighbours in the farming community of Pense, Saskatchewan—and he sculpts them all in clay, as eloquent and quirky miniatures. Joe's work has been exhibited throughout Canada as well as in Paris and New York, and this film offers a glimpse into his process, his aesthetic, and the charming prairie community in which he lives.

  • director
    Michael McKennirey
  • editing
    Michael McKennirey
  • producer
    John N. Smith
  • photography
    Barry Perles
  • sound
    Jacques Drouin
    Jacques Rousseau
  • sound editing
    André Galbrand
    Karl Duplessis
  • re-recording
    Michel Descombes
  • music
    Glen Charles Koudelka

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Education

Ages 12 to 17
School subjects

Have students comment on the primary subjects of Fafard’s art. Discuss his affection for sculpting cows. Would you consider buying one of his sculptures? Supply reasons for your answer. In what ways does his art celebrate rural Canadian life and rural Saskatchewan in particular? To learn more about Joe Fafard’s career and national honours since this film was made, go to this website.

I Don't Have to Work that Big
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