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Growing Up Canadian: Play

2003 46 min
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Canada's biggest playground, winter, leads the way as we look at a century of play for Canadian kids. In the beginning you made your own gear and toys, but some store-bought things were irresistible. What Canadian girl, in her time, wouldn't want an Eaton's Beauty doll or a Barbara Ann Scott doll? And what boy, swept up in a cowboy craze, wouldn't die to have a Gene Autry gun or a Lash LaRue whip? Throughout the century, adults helped to organize clubs, camps and playgrounds--often with the intent of steering children away from trouble. In the end, getting away from …

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Growing Up Canadian: Play

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Canada's biggest playground, winter, leads the way as we look at a century of play for Canadian kids. In the beginning you made your own gear and toys, but some store-bought things were irresistible. What Canadian girl, in her time, wouldn't want an Eaton's Beauty doll or a Barbara Ann Scott doll? And what boy, swept up in a cowboy craze, wouldn't die to have a Gene Autry gun or a Lash LaRue whip?

Throughout the century, adults helped to organize clubs, camps and playgrounds--often with the intent of steering children away from trouble. In the end, getting away from adults and crossing forbidden borders have always been a part of the fun.

Play is one of a 6-part series entitled Growing Up Canadian. These documentaries explore the myths and realities of Canadian childhood through family life, schooling, work, play, health and the media. The series marks the contribution of childhood and youth experience in defining Canada as it grew into full nationhood in the 20th century.

  • executive producer
    Sheila Petzold
    Ken Stewart
    Marcel Clément
  • producer
    Hoda Elatawi
  • series creator
    Sheila Petzold
  • director
    Susan Terrill
  • writer
    Susan Terrill
  • participant
    Tiffany Beaudin
    Henry Bishop
    Anna Bonokoski
    Carl Brewer
    Marilyn Buffalo
    Kathryn Burke
    Hinson Calabrese
    Wayson Choy
    Pat Cooney
    John C. Crosbie
    Eric Davidson
    Melanie Doane
    Ken Dryden
    Denise Fung
    Jack Gilmour
    Barbara Gowdy
    Fred Greaves
    Louise Guertin
    Jack Harrison
    Elizabeth Hillman
    George Jordan
    Clare Laking
    Christina Lamey
    Kay Lorente
    Natalie MacMaster
    Greg Malone
    Denis F. Mildon
    Bob Mellor
    Aiko Murakami
    Mary Sexton
    Karen Shopsowitz
    Everett Tanner
    Cameron Terrill
    Ina Trudgeon
    Hellie Wilson
  • narration writer
    Sheila Petzold
    Susan Terrill
  • narrator
    Becky Rynor
  • interviews
    Susan Terrill
    Sheila Petzold
  • additional interview
    Andrea Hossack
  • original concept
    Sam Kula
  • director of photography
    Karl Roeder
  • music composer
    Andrew Huggett
  • off-line editor
    Tiffany Beaudin
    Douglas von Rosen
    Richard Millen
  • online editor
    Tiffany Beaudin
  • graphic designer
    Ron Allen
  • production manager
    Shelley Coultish
    Kate Yule
  • production coordinator
    Shannan Thomson
  • script editor
    Sheila Petzold
    Penny McCann
    Susan Terrill
  • archival research
    Vivian Hanwell
    Kate Keating
    Kate Yule
    Erin Brophy
  • research
    Helen Dundass
    Jody Nassr
    Isobel Ripley
    Sheila Petzold
  • additional research
    Shelley Coultish
    Pam Gaffield
    Sophia Geeves
    Fern Graham
    Dave Pyette
    Lea Robinson
    Theresa Rowat
    Susan Villeneuve
  • sound recordist
    Eldy Gouthro
    Peter Kettlewell
    Kate Kechnie
    Larry MacDonald
    Jane Porter
    Vaughn Rowsell
    Don Stewart
    Douglas von Rosen
  • additional camera operator
    Mike Tien
    Roland Pirker
    Raymond Hagel
  • production services
    Derek McClintock
  • grip
    Don Black
    Lewis Hill
    Marcus Hutchings
    Mathew Reid
    John Roche
    Henrietta Veerman
    Chris Anderson
  • sound engineer
    Robin Dumas
  • post-production services
    Nancy Bissonnette
  • production accountant
    Cheryl Williams
  • production assistant
    Jason Claude
    Kathy Dunphy
    Sophia Geeves
    Henrietta Veerman

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Education

Ages 12 to 18
School subjects

Warnings: Mentions of sexual behaviour, some offensive terms and visuals of Indigenous people

Which experiences do you consider as quintessentially “Canadian” when it comes to winter play? How do gender stereotypes play out with regard to play? How have things changed, if at all? What perspectives are missing when considering the ideas of play in this film? How are some of the games or songs that were sung by children problematic through a modern lens? What should be done when considering recalling these songs? Many of the world’s events affect the way children play. What evidence of that is in the film? Is there evidence of similar impact today?

Growing Up Canadian: Play
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