This short documentary follows Glenn Gould to New York City. There, we see the renowned Canadian concert pianist kidding the cab driver, bantering with sound engineers at Columbia Records, and then, alone with the piano, fastidiously recording Bach's Italian Concerto.
This short documentary follows Glenn Gould to New York City. There, we see the renowned Canadian concert pianist kidding the cab driver, bantering with sound engineers at Columbia Records, and then, alone with the piano, fastidiously recording Bach's Italian Concerto.
A documentary about classical Canadian musician Glenn Gould. Useful for essays, research projects, assignments, and discussions centered around musical theory, Canadian music, art and cultural history. How is Glenn Gould represented as a Canadian cultural figure in the film, and how is he compared and contrasted to American culture? In the scenes where Gould is recording, identify the competing tensions that arise between Gould’s artistic vision and the needs and wants of his producers. Discuss how these approaches to music contrast, and do you believe such tensions are inevitable or necessary? Watch Glenn Gould: Off the Record; how do the two films work as companion pieces? Do the documentaries differ in their presentation or perspective?