This experimental short conveys avant-garde filmmaker Arthur Lipsett’s view of the human condition and the chaotic planet on which we live. As in his other films (Very Nice, Very Nice; 21-87), the flow of images in Fluxes seems somewhat disjointed and erratic -- yet it all builds up to a devastating indictment of the modern world. The film’s only commentary consists of unrelated snatches of words and sounds.
This experimental short conveys avant-garde filmmaker Arthur Lipsett’s view of the human condition and the chaotic planet on which we live. As in his other films (Very Nice, Very Nice; 21-87), the flow of images in Fluxes seems somewhat disjointed and erratic -- yet it all builds up to a devastating indictment of the modern world. The film’s only commentary consists of unrelated snatches of words and sounds.