La baleine et le corbeau
La baleine et le corbeau, de la réalisatrice Mirjam Leuze, met en relief les nombreux enjeux qui ont poussé les scientifiques, la Première Nation Gitga’at et le gouvernement de la Colombie-Britannique à s’engager dans un conflit complexe. Alors que la population de la forêt pluviale du Grand Ours lutte pour protéger son territoire contre la pression et les promesses de l’industrie gazière, les êtres innombrables qui habitent cette région se trouvent pris en otages.
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La baleine et le corbeau, de la réalisatrice Mirjam Leuze, met en relief les nombreux enjeux qui ont poussé les scientifiques, la Première Nation Gitga’at et le gouvernement de la Colombie-Britannique à s’engager dans un conflit complexe. Alors que la population de la forêt pluviale du Grand Ours lutte pour protéger son territoire contre la pression et les promesses de l’industrie gazière, les êtres innombrables qui habitent cette région se trouvent pris en otages.
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participationJanie WrayHermann MeuterHelen CliftonPatricia LangeRoy Henry VickersLa'goot Spencer GreeningNicole RobinsonArchie DundasMarven RobinsonPhilip GermuthKatie WelshJulie Bits-Thorsen
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scriptMirjam Leuze
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directionMirjam Leuze
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editingSandra Brandl
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producerHenrik MeyerAndrew WilliamsonShirley Vercruysse
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NoneSandra BrandlMirjam LeuzeTavish CampbellJesse BoltonCheryl BrownTerry BrownJohn CollinsIsiah DundasHavana-Jaè FisherCorbin GreeningCameron HillElyse HofsKimberly NielsenAlexander RaymentMary ReeceChristopher StewardKim-Ly ThompsonElizabeth ThorneWilliam KeatingHanse WarnsRuhrsound StudiosGuido ZettierAnna HellmanJosephine OtterUte BenderMarian OttoSven OpitzTom BlankenbergDaniel OberbanscheidtSarah TichenorKent DonguinesManinder DhaliwalJohannes LehmannSimone Bergmann
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consulting producerChristian Vizi
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executive producerSabine Bubeck-PaazShirley Vercruysse
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script advisorRoy Henry Vickers
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narrationRoy Henry Vickers
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original artworkRoy Henry Vickers
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animationElisa Chee
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photography directingAthan Merrick
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supplementary footageMirjam LeuzeSimon Schneider
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UAV cinematographerMike Dinsmore
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original musicJesse Zubot
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sound designAndreas Hildebrandt
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sound mixerAndreas Hildebrandt
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location soundBrent CalkinTyler LucasMillar Montgomery
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advisory committeeChris BoltonLa'goot Spencer GreeningKyle Clifton
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assistant to the directorStephan Bernardes
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coordinatorMavourneen Bolton
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public relationsMiriam PflügerNina LobingerKatja De BockAram CoenLeslie Stafford
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researchChantelle Bellrichards
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additional researchMirjam LeuzeStephan BernardesJordanis PapadopoulosSophie Schmalriede
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production assistantJan ReutelsterzSandra RiedmairFlorence SimkaAnnika ReinhardtAntonia KornTristan OrchardDavid SridharanTabea BenderVictor BrandlLilah Williamson
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driverMitch Lupick
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post production supervisorMarcelo BusseSandra Brandl
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coloristFelix Hüsken
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post-production supervisorErhard Giesen
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online editingChime Yangzom Müller
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post-production coordinationFrank Hammer
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editing assistantManh Tung Pham
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dialog editingKlaus Wassen-Floren
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sound effects creationCarsten Richter
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translationSabine MüllerTill RudolphJohanna TimmClaudia K. Eichbauer
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subtitlingZoé Major
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travel agentDirk JöhnssenKirsty Duffy
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financial servicesEdgar GroomKarim HamirSolmaz CuevillasTeresa Brockmann
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executive directorMichelle van Beusekom
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production supervisorJennifer Roworth
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technical coordinatorWes Machnikowski
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administrationCarla Jones
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production coordinatorKristyn Stilling
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legal counselWolfgang BrehmNathanial LymanDoran Chandler
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insuranceEverest Insurance Company of CanadaFront Row Insurance Brokers Inc.
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chartered accountantGurpreet SandhuKartika Saran
Brief “lesson launcher type” activity or a series of inquiry questions with a bit of context:
This documentary explores the relationship of the Gitga’at First Nations peoples of British Columbia with the land, the whales and the scientists who study the whales in their territory. Touches on the struggles of maintaining land sovereignty while companies try to build oil pipelines and hunters try to take from the land. There is a poignant retelling of a Gitga’at story involving whales. Explain the significance of the story. Does it remind you of other stories or fables you have heard? What is unique about this type of storytelling? Read or listen to other stories from Indigenous Peoples and compare the style, subject matter and message of the stories. What is it about whales that is fascinating to so many different people in this documentary? What are the various threats that whales face? What threats does the Gitga’at community face? What rules should there be to regulate the ability of large corporations to build pipelines and oil-processing plants in small communities like Hartley Bay?