As a child in Vietnam, Thao’s mother often rescued ants from bowls of sugar water. Years later they would return the favour. Boat People is an animated documentary that uses a striking metaphor to trace one family’s flight across the turbulent waters of history.
After being diagnosed with borderline personality disorder, a young mother writes a letter to her daughter about their family’s collective journey to acceptance.
An adventurous young boy and his determined mother share a passion for Inuit drum dancing in Happy Valley-Goose Bay. Evan’s Drum is a joyful visit to a family’s loving home, and an uplifting story of cultural pride. After generations of silence, the rhythm of the traditional Inuit drum has returned to Labrador, and seven-year-old Evan is part of the new generation that will keep its heartbeat strong.
When a child reveals who they truly are on the inside, how does a parent set aside their own expectations to help them become their most authentic self? Sheona McDonald’s documentary captures a season of change as a mother and child navigate the complexities of gender identity together.
Shot in Montreal over a four-month period, from May to September 2020, Jules’ Impossible Summer charts the evolving relationship between the filmmaker and her 19-year-old son through 15 redundant conversations about the importance—or the impossibility, depending on the point of view—of following the health restrictions imposed during the pandemic.
Freaks of Nurture is an animated short about a neurotic mother-daughter relationship inspired by the filmmaker’s own unorthodox upbringing with her single-parent mom, who is also a foster parent and dog breeder. Self-deprecating and bursting with energy, the film reveals that no matter how grown-up we think we are, we never quite stop craving the love and support of a parent.
Betty Ann, Esther, Rosalie, and Ben were only four of the 20,000 Indigenous Canadian children taken from their families between 1955 and 1985, to be either adopted into white families or live in foster care. As the four siblings piece together their shared history, their connection deepens, and their family begins to take shape.
In this short documentary, three French-speaking women (from Senegal, Mexico and Belgium) examine their own experiences as immigrants in Vancouver, where they raise their children alone. With strength and resilience, these women take up the challenge of rebuilding their lives to provide a “new world of possibility” for their children, while seeking to find their place in Canadian society.
This animated short tells the story of Judith, an elderly woman who moves into a senior’s residence where she feels lonely and alienated. There, she discovers that she can escape into her painting. Her neighbour, Greg, notices her diving into her landscape and follows after her.
Julia Kwan's short film captures the experience of a young woman as she travels to a new country. As summer opens into spring, mother and daughter build a life together. The taste and texture of each season, whether the ice-cream smell of summer, the crisp birch air of autumn, or the warmth of winter dumplings -- are lovingly rendered in animation, sound and image. Throughout the passage of time, the persistence of love endures, as resolute and unchanging as the cycle of the season.
A personal film in which Mariana Niquay-Ottawa tries to reconnect with her mother.
Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios
and is part of the 2008 Selection - Wapikoni Mobile
This short film from the Filmmaker-in-Residence project is a provocative and transformative dialogue between homeless mothers and healthcare professionals who deliver babies.
Under the African sun, a child walks in the desert with his kin. Death is prowling, but a mother's soul resurrected by music will return strength and life to the child when he becomes a man. Inspired by the grace and raw beauty of African rock paintings, Nicolas Brault paints a story without borders, with the humanity and elegance of a universal narrator.
This animated short is a comical tale that pokes fun at motherhood. It depicts the temper tantrums of a child and the efforts a mother makes to set her son on the right path. You don’t need to be a chicken to relate.
Featuring archival images and compelling interviews, this documentary captures Rhonda Larrabee's quest to unearth the Indigenous heritage her mother felt forced to hide from her. Now, as proud Chief of the New Westminster Band, she works tirelessly to revitalize the Qayqayt First Nations. Tribe of One was produced as part of Reel Diversity, an initiative organized in partnership with CBC Newsworld.
When her parents leave her behind for the first time, Madeleine sees them off with tears in her eyes. Fortunately, her grand-mother is there to coax her out of her sadness. Grandma's house is full of surprises, including a chest full of costumes perfect for dress-up. Together they play and bake. Slowly, Madeleine discovers that Grandma seems to know exactly how to have fun. Adults will reminisce about cherished moments shared with grandparents and reflect on the nature of memory. Younger children will be delighted by young Madeleine's adventures. A film without words.
This short film portrays the experiences of Rhonda Gordon and her daughter, Angela, when a simple bus ride changes their lives in an unforeseeable way. When they are harassed by three boys, Rhonda finds the courage to take a unique and powerful stance against ignorance and prejudice. What ensues is a dramatic story of racism and empowerment.
Black Mother Black Daughter explores the lives and experiences of black women in Nova Scotia, their contributions to the home, the church and the community and the strengths they pass on to their daughters.
This short film documents an intimate conversation between a mother and her adult daughter on the subject of abortion. They speak candidly about their personal experiences in trying to obtain the procedure, and how, in different decades – before and after the 1969 amendment to the federal law – each got caught up in the system and its rules. A useful discussion-starter on the complex issues relating to abortion.
An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards. “Foster Child is one of the great docs to come out of Canada, and nobody but Gil could have made it,” says Jesse Wente, director of Canada’s Indigenous Screen Office. “Gil made it possible for us to think about putting our own stories on the screen, and that was something new and important.”
This inspiring film is the story of how one woman has come to terms with her life as a survivor of incest. Sexually abused by her father from infancy to early adolescence, Shirley Turcotte is now in her thirties and has succeeded in building a rich and full life. In To a Safer Place, Shirley takes a further step to reconcile her past and present. The film accompanies her as she returns to the people and places of her childhood. Her mother, brothers and sister, all of whom were also caught up in the cycle of family violence, openly share their thoughts. Their frank disclosures will encourage survivors of incest to break through the silence and betrayal to recover and develop a sense of self-worth and dignity.
In her first feature-length documentary, released in 1977, Alanis Obomsawin honours the central place of women and mothers within Indigenous cultures. An album of Indigenous womanhood, the film portrays proud matriarchal cultures that for centuries have been pressured to adopt the standards and customs of the dominant society. Tracing the cycle of Indigenous women’s lives from birth to childhood, puberty, young adulthood, maturity and old age, the film reveals how Indigenous women have fought to regain a sense of equality, instilled cultural pride in their children and passed on their stories and language to new generations.
The protagonists of this animated short are Russian dolls, also known as matryoshka dolls, or babushka dolls - sets of beautifully painted wooden dolls of decreasing sizes that nestle one inside the other. Here, the dolls dance, twirl and swirl to Russian tunes before hopping back into the mother figure.
Can a woman fully achieve self-realization while at the same time giving herself to the role of wife and mother? This is one question raised in this film documentary. Introspective, partly biographical, the film delves into the emotions of joy, anticipation and anxiety that a young mother experiences during the last several weeks before the birth of her second child. There is some footage from Czechoslovakia concerning maternity: a natural childbirth in a hospital delivery room and state nursery care for the children of working mothers.
This film follows a young couple from the time they suspect pregnancy to their child's first birthday. The value of good prenatal habits and medical care is emphasized. Good tips are also provided on day-to-day baby care.
This short documentary offers an early example of the challenges faced by working mothers. As women entered the workforce in greater numbers during WWII, their young children were cared for by others. At day nurseries, trained staff supervised children’s meals, health and play. Toddlers are taught how to wash and dress themselves and to put their toys away tidily. The film is an intriguing portrait of the nascent mid-20th century world of work for women and their families.