Bill Reid Remembers is a beautiful tribute from Alanis Obomsawin to her friend’s remarkable life and rich legacy. Despite spending his early life away from his nation’s culture, renowned Haida artist Bill Reid always kept Haida Gwaii close to his heart. While working for CBC Radio, he started learning how to make jewelry, then later sculpture, using Haida techniques and images, a move that would forever change his life and the Canadian artistic landscape. Reid’s powerful narration in the film—interspersed with Obomsawin’s own—recounts his complex childhood, his emergence as an accomplished artist, and his profound connection to his homeland. Decades after his passing, Bill Reid remains an enduring force and one of Canada’s greatest artists.
Julia Kwan’s feature-length documentary Everything Will Be captures a significant moment of time in Vancouver’s Chinatown, with the influx of condos and new, non-Chinese businesses. The film follows a year in the life of several Chinatown denizens, including a 90-year-old Chinese newspaper street vendor and a second-generation tea shop owner, as they navigate this community in flux.
This feature-length documentary traces the journey of the Haisla people to reclaim the G'psgolox totem pole that went missing from their British Columbia village in 1929. The fate of the 19th century traditional mortuary pole remained unknown for over 60 years until it was discovered in a Stockholm museum where it is considered state property by the Swedish government.
Director Gil Cardinal combines interviews, striking imagery and rare footage of master carvers to raise questions about ownership and the meaning of Indigenous objects held in museums.
This documentary tells the personal story of filmmaker Jari Osborne's father, a Chinese-Canadian veteran. She describes her father's involvement in World War II and uncovers a legacy of discrimination and racism against British Columbia's Chinese-Canadian community. Sworn to secrecy for decades, Osborne's father and his war buddies now vividly recall their top-secret missions behind enemy lines in Southeast Asia. Theirs is a tale of young men proudly fighting for a country that had mistreated them. This film does more than reveal an important period in Canadian history. It pays moving tribute to a father's quiet heroism.
A portrait of Arthur Erickson, a Vancouver-based architect internationally known for his unique style. Seated in his Vancouver home, Arthur Erickson talks easily about his art, the importance of interpreting the site and of achieving harmony between environment and structure, the inseparability of climate and site, and the cultural role of a building. Five of his projects are shown. He explains how the designs evolved and what he was trying to achieve. Shot on location in Canada, Japan and Kuwait, the film introduces the man, the architect, the humanist.
This documentary short is about Penticton, BC, and what happens when students from the only high school in town graduate. Most know that job opportunities and higher education lie elsewhere, most likely in Vancouver. So, for one memorable week, they go through a whirlwind of formal ceremonies, wild celebrations, hi-jinks and farewells that involve the whole population of this Okanagan Valley community.
The biggest affair of its kind in the world, the annual Dominion Drama Festival brings together in Vancouver the best of Canadian amateur theatrical talent. Canada on Stage shows you scenes from prize-winning performances. Caught by the camera is the taut atmosphere after the final curtain as awards are announced by festival adjudicator Phillip Hope Wallace, a British drama critic.
This film shows a complicated three-year engineering project leading to the destruction of Ripple Rock, a deathtrap in the shipping lane between Vancouver Island and the mainland. Also shown are tunnelling beneath the ocean floor of Seymour Narrows, the placing of the explosives and a close-up view of the successful explosion in 1958.
This short documentary from the Canadian Artists series presents the art of Emily Carr, the Canadian painter who found exciting subject matter on British Columbia's Pacific Coast, with its giant trees and its Indigenous villages, totems and carvings. When Carr visited the Ucluelet Indian Reserve on Vancouver Island in 1898, the Nuu-chah-nulth people gave her the name Klee Wyck, meaning “Laughing One.” Her canvases are shown here amidst the landscapes and places where they were painted. At the end of the film Tse-shaht painter George Clutesi is pictured as Carr left her paintbrushes and other materials to him.