Set in the lush Haitian countryside as well as the icy landscapes of Quebec, Will Prosper’s documentary Kenbe la, Until We Win chronicles the inspiring journey of Alain Philoctète, an artist and activist who dreams of developing a permaculture project in his native country even as he fights an ongoing battle with cancer.
At her family’s cabin on Wakaw Lake, Saskatchewan, renowned Fransaskois singer-songwriter Alexis Normand invites audiences into a series of candid exchanges about belonging and bilingualism on the Prairies. Weaving together old home movies with current conversations, French Enough illuminates the struggle and triumph of reclaiming francophone Canadian identity. As parents, children and grandchildren sing, play and celebrate, in both French and English, the act of carrying a language forward finally becomes a thing of freedom and joy.
At a critical moment in the history of the written word, as humanity’s archives migrate to the cloud, one filmmaker goes on a journey around the globe to better understand how she can preserve her own Romanian and Armenian heritage, as well as our collective memory. Blending the intellectual with the poetic, she embarks on a personal quest with universal resonance, navigating the continuum between paper and digital—and reminding us that human knowledge is above all an affair of the soul and the spirit.
Muslim women are disconcerting, intriguing, polarizing—and straitjacketed by conflations of ideas in front-page stories. While the media tend to portray them as submissive and silenced, filmmaker Saïda Ouchaou-Ozarowski has chosen to distance herself from that caricature, with which she does not identify. She sat down with six Muslim Canadian women eager to talk about what shapes their identities. The resulting documentary, In Full Voice, offers an intimate perspective on the journey of these women, who have a common desire to share their visions of Islam.
Undertakers are anything but gloomy; they’re funny, generous and dedicated. We would gladly go on vacation with them, but sadly, they never have any dead time.
Over the course of a year, accompanied by her partner, Erik Boomer, and their spirited team of huskies, Sarah McNair-Landry recorded a fascinating cinematic travelogue, filled with breathtaking Arctic landscapes. Filmed from Nunavut to Idaho, the short documentary My 2020 is a meditation on isolation, freedom, tourism and the thirst for adventure.
Against the backdrop of the camera’s meditative wandering through the places that created Quebec, Where the Land Ends explores and questions the historical narrative, as a group of young people who were not old enough to vote in the 1995 referendum express their views. They seem to have decided, on their own, to create a new “Terre des Hommes” (Man and His World).
The Physics of Sorrow tracks an unknown man’s life as he sifts through memories of his youth in Bulgaria through to his increasingly rootless and melancholic adulthood in Canada.
Strength. Challenges. Courage. Modern Alchemy depicts a quest for self-knowledge that revolves around resilience, reconstruction and rebirth. A succession of colours, each more vibrant than the last, in which one stops breathing for a moment to find a path toward inner peace. A film from the Alambic collection, a creative lab by the NFB’s French Program Animation Studio that’s designed for emerging filmmakers.
Solid Ground is a poetic and sound-rich travelogue—a personal journal that reveals the thoughts of an expatriate returning to her native land. Employing the rarely used monotype animation technique, Solid Groundreflects the personal experience of discovering different lands and feeling as though one were simultaneously at home and elsewhere. A film from the Alambic collection, a creative lab by the NFB’s French Program Animation Studio that’s designed for emerging filmmakers.
Exploring the conscious, the unconscious and the self, By Winds and Tides takes a deep experimental dive into the birth of an idea—how it takes shape, how it is released. An allegorical quest, the film combines images and words into a singular sigh. A film from the Alambic collection, a creative lab by the NFB’s French Program Animation Studio that’s designed for emerging filmmakers.
In the voiceover for this animated short, a young woman attempts to describe herself, casting her life in the ideal light that society expects. The film’s imagery, however, tells a different story, poignantly illustrating the intense anxiety that comes with the quest for perfection and the pursuit of happiness. A film that’s both funny and moving, and above all, profoundly human.
Based on a Jewish folk tale adapted by playwright John Lazarus, this animated short tells the story of Shmendrik, a simpleton living in a small Polish village. Weary of daily life in his native Chelm, Shmendrik sets out on a quest for knowledge that brings him to a new Chelm, a place eerily reminiscent of his old Chelm. An amusing take on our tendency to romanticize what we don't have.
In The Mountain of SGaana, Haida filmmaker Christopher Auchter spins a magical tale of a young man who is stolen away to the spirit world, and the young woman who rescues him. The film brilliantly combines traditional animation with formal elements of Haida art, and is based on a story inspired by a old Haida fable.
Cathon has found something wonderful in the recycling bin—a birdsong clock. But Iris isn’t totally on board with her friend’s taste, so she seeks a compromise. She wonders how people told time before clocks.
In a lush and lively forest lives a hedgehog. He is respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys a quartet of insatiable beasts. Together, they march off towards Hedgehog’s home and spark a tense and prickly standoff.
Exquisitely directed by Eva Cvijanović and based on the classic story by Branko Ćopić, a writer from the former Yugoslavia, Hedgehog’s Home is a warm and universal tale for young and old that reminds us there truly is no place like home.